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OverviewFull Product DetailsAuthor: Paul J. Hecht , J. B. LethbridgePublisher: Fairleigh Dickinson University Press Imprint: Fairleigh Dickinson University Press Dimensions: Width: 14.50cm , Height: 2.00cm , Length: 23.20cm Weight: 0.404kg ISBN: 9781611478808ISBN 10: 1611478804 Pages: 244 Publication Date: 12 April 2017 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsPreface Abbreviations 1 Introduction: Notes toward a New Spenser Paul J. Hecht Classical, Medieval, Material 2 Reinventing the Wheel: Spenser’s Virgilian Career Syrithe Pugh 3 Spenser and the “Medieval” Past: A Question of Definition Kathryn Walls 4 Spenser and Book History Elisabeth Chaghafi Spenser and Music 5 Music in Spenser David Scott Wilson-Okamura 6 Spenser in Music Gavin Alexander Meter/Moment 7 Irreverent Spenseriana April Bernard, K. Silem Mohammad 8 Queer/Ordinary: Thinking Spenserian Sex and Aesthetics Paul J. Hecht 9 The Poetry of The Faerie Queene J. B. Lethbridge 10 Notes on Reading in The Faerie Queene: From Moment to Moment Gordon Teskey Selected Bibliography Contributors IndexReviewsHecht and Lethbridge see themselves as spearheading a movement that will replace the orthodoxies of New Criticism (and its progeny, including New Historicism) with unorthodox-indeed, revolutionary-ways of reading Edmund Spenser's poetry...[The book beings ]with Syrithe Pugh's superb account of how Spenser imitates Virgil. Every Spenserian will want to read the excellent middle section, 'Spenser and Music,' with its complementary essays by David Scott Wilson-Okamura and Gavin Alexander...The promised 'new era of Spenser scholarship' begins to take shape in the final section ('Meter/Moment'), with Hecht's essay 'Queer/Ordinary: Thinking Spenserian Sex and Aesthetics,' Lethbridge's extension of his case against 'expressivist' reading, and Gordon Teskey's bravura display on The Faerie Queene as 'a poem of moments.'...Summing Up: Highly recommended. CHOICE This collection has a spinning gyroscope on its cover: an object rapidly in motion but also perfectly balanced, progressively scientific in its associations but also somehow classical in form. The image matches the ambition of the editors... The final essay, by Gordon Teskey, which gives the book its title...tells us we should read Spenser 'from moment to moment', isolating his visual, sonic and spiritual set pieces. These are distinct sections of the poem, generally around ten stanzas in length. If we pay attention to these 'moments', Teskey argues, we will appreciate the 'curious combination of stasis and movement' in which the 'wonder' of The Faerie Queene resides. This is a profound insight that justifies the choice of image on this book's cover. Times Literary Supplement [T]his is a valuable book that will be important to many scholars - those combining early modern music and poetry, those studying Elizabethan poetics, and, naturally, Spenserians, all of whom should read it. Renaissance Studies Spenser in the Moment is a fascinating volume. Its contributors, in distinct rhythms and registers, encourage us to think deeply about form and language... [I]ts colloquial title captures beautifully the mood of a collection of consequence, at once ambient and ambitious, mellifluous and momentous. Hecht and Lethbridge remind us that the Spenser we thought we knew can always be read anew. Renaissance Quarterly Hecht and Lethbridge see themselves as spearheading a movement that will replace the orthodoxies of New Criticism (and its progeny, including New Historicism) with unorthodox-indeed, revolutionary-ways of reading Edmund Spenser's poetry...[The book beings ]with Syrithe Pugh's superb account of how Spenser imitates Virgil. Every Spenserian will want to read the excellent middle section, 'Spenser and Music,' with its complementary essays by David Scott Wilson-Okamura and Gavin Alexander...The promised 'new era of Spenser scholarship' begins to take shape in the final section ('Meter/Moment'), with Hecht's essay 'Queer/Ordinary: Thinking Spenserian Sex and Aesthetics,' Lethbridge's extension of his case against 'expressivist' reading, and Gordon Teskey's bravura display on The Faerie Queene as 'a poem of moments.'...Summing Up: Highly recommended. CHOICE This collection has a spinning gyroscope on its cover: an object rapidly in motion but also perfectly balanced, progressively scientific in its associations but also somehow classical in form. The image matches the ambition of the editors... The final essay, by Gordon Teskey, which gives the book its title...tells us we should read Spenser 'from moment to moment', isolating his visual, sonic and spiritual set pieces. These are distinct sections of the poem, generally around ten stanzas in length. If we pay attention to these 'moments', Teskey argues, we will appreciate the 'curious combination of stasis and movement' in which the 'wonder' of The Faerie Queene resides. This is a profound insight that justifies the choice of image on this book's cover. Times Literary Supplement [T]his is a valuable book that will be important to many scholars - those combining early modern music and poetry, those studying Elizabethan poetics, and, naturally, Spenserians, all of whom should read it. Renaissance Studies Author InformationPaul J. Hecht is associate professor of English at Purdue University North Central and the author of several articles on Spenser, Shakespeare, and Wroth. J. B. Lethbridge lectures at Tübingen University and general editor of the monograph series The Manchester Spenser. Tab Content 6Author Website:Countries AvailableAll regions |