Overview

Speaking in Tongues presents a unique account of how language has been employed in the theatre, not simply as a means of communication but also as a stylistic and formal device, and for a number of cultural and political operations. The use of multiple languages in the contemporary theatre is in part a reflection of a more globalized culture, but it also calls attention to how the mixing of language has always been an important part of the functioning of theatre. The book begins by investigating various ""levels"" of language-high and low style, prose and poetry-and the ways in which these have been used historically to mark social positions and relationships. It next considers some of the political and historical implications of dialogue theatre, as well as theatre that literally employs several languages, from classical Greek examples to the postmodern era. Carlson treats with special attention the theatre of the postcolonial world, and especially the triangulation of the local language, the national language, and the colonial language, drawing on examples of theatre in the Caribbean, Africa, Australia, and New Zealand. Finally, Carlson considers the layering of languages in the theatre, such as the use of supertitles or simultaneous signing. Speaking in Tongues draws important social and political conclusions about the role of language in cultural power, making a vital contribution to the fields of theatre and performance. Marvin Carlson is Sidney E. Cohn Professor of Theatre and Comparative Literature, CUNY Graduate Center. He is author of Performance: A Critical Introduction; Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present; and The Haunted Stage: The Theatre as Memory Machine, among many other books.

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9780472115471

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Reviews

""An impressively vast account of language play in a truly diverse array of case studies, including understudied theatres such as medieval vernacular, European dialectic, Indian Sanskrit, and contemporary Arabic . . . Fruitfully ambitious, Speaking in Tongues bridges the gap between linguistics and performance studies."" ---The Drama Review

""An impressively vast account of language play in a truly diverse array of case studies, including understudied theatres such as medieval vernacular, European dialectic, Indian Sanskrit, and contemporary Arabic . . . Fruitfully ambitious, Speaking in Tongues bridges the gap between linguistics and performance studies."" ---The Drama Review ""Few scholars could have attempted such an ambitious project. The book is the product of extensive theatregoing and an immense knowledge of dramatic literatures and critical traditions. Carlson has given us a road map for future research...Speaking in Tongues is an important contribution to the field."" ---Edward Ziter, New York University, for Theatre Survey ""Carlson is able to reveal the deep history of . . . issues of language and power that scholars have previously examined as contemporary phenomena or as parts of localized tradition . . . The book is the product of extensive theatregoing and an immense knowledge of dramatic literatures and critical traditions. Carlson has given us a road map for future research."" ---Theatre Survey

The first book on the use of different languages in universal theatrical performance. Few scholars have such broad expertise and knowledge - even fewer have the courage to carry out such an ambitious task. Speaking in Tongues is very welcome and important for our field. - Patrice Pavis, University of Paris

The first book on the use of different languages in universal theatrical performance. Few scholars have such broad expertise and knowledge - even fewer have the courage to carry out such an ambitious task. Speaking in Tongues is very welcome and important for our field. - Patrice Pavis, University of Paris

Author Information

Marvin Carlson is Sidney E. Cohn Professor of Theatre and Comparative Literature, CUNY Graduate Center. He is author of Performance: A Critical Introduction; Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present; and The Haunted Stage: The Theatre as Memory Machine, among many other books.

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