Spain, the United States, and Transatlantic Literary Culture throughout the Nineteenth Century

Author:   John C. Havard ,  Ricardo Miguel-Alfonso
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032108407


Pages:   200
Publication Date:   30 September 2021
Format:   Hardback
Availability:   In Print   Availability explained
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Spain, the United States, and Transatlantic Literary Culture throughout the Nineteenth Century


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Author:   John C. Havard ,  Ricardo Miguel-Alfonso
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9781032108407


ISBN 10:   1032108401
Pages:   200
Publication Date:   30 September 2021
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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John C. Havard is Professor of early American literature at Kennesaw State University. His research focuses on hemispheric studies and religious studies. His book Hispanicism and Early US Literature: Spain, Mexico, Cuba, and the Origins of US National Identity was published by the University of Alabama Press in 2018. Ricardo Miguel- Alfonso is Associate Professor of American Studies and Literary Theory at the University of Castilla- La Mancha, Spain. He is the author of La idea rom á ntica de la literatura en Estados Unidos (American Romanticism and the Idea of Literature , Verbum, 2018), and he recently coedited with David LaRocca A Power to Translate the World: New Essays on Emerson and International Culture (Dartmouth, 2015). He has written journal essays and book chapters on fi gures such as Ralph Waldo Emerson, Robert Coover, Eliza Haywood, Lydia Sigourney, and Nathaniel Hawthorne. He has also translated into Spanish Ralph Waldo Emerson’s Essays (2001) and George Santayana’s Reason in Art (2008), among others. He is currently at work on a book manuscript on Emerson’s career as the American symbol of modern disenchantment.

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