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9781412946667

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Spaces for Consumption is a very important book, and perhaps the most instructive English book in urban studies published in the last five years. Its theoretical framework is rich and diversified; many quotes borrowed from other publications (either in cultural geography, urban studies, cultural studies, or sociology) are almost like little treasures because of their diversity and usefulness. Spaces and Consumption is the kind of book that puts names and concepts behind ideas and trends. -- Yves Laberge Challenges the accepted idea that post-industrial cities should be flagships of consumer culture. Through a wide-ranging survey of the literature, Miles shows that shopping malls, art museums, and spectacular festivals really create a less authentic experience of urban life. -- Sharon Zukin This is a great book. Powerfully written and lucid, it provides a thorough introduction to concepts of consumption as they relate to the spaces of cities. The spaces themselves - the airports, the shopping malls, the museums and cultural quarters - are analysed in marvellous detail, and with a keen sense of historical precedent. And, refreshingly, Miles doesn't simply dismiss cultures of consumption out of hand, but shows how as consumers we are complicit in, and help define those cultures. His book makes a major contribution to our understanding of contemporary cities, but is accessible enough to appeal to any reader with an interest in this important area. -- Richard Williams In Spaces for Consumption Steven Miles develops a penetrating critique of a key shift characterising the contemporary city. Theoretically informed, the other strength of the volume lies in the wealth of examples that are drawn upon to show how cities are becoming spaces for consumption, which has itself rapidly become a global phenomenon. -- Ronan Paddison

In Spaces for Consumption Steven Miles develops a penetrating critique of a key shift characterising the contemporary city. Theoretically informed, the other strength of the volume lies in the wealth of examples that are drawn upon to show how cities are becoming spaces for consumption, which has itself rapidly become a global phenomenon Ronan Paddison University of Glasgow <hr color= GBP666666 size= 1px /> This is a great book. Powerfully written and lucid, it provides a thorough introduction to concepts of consumption as they relate to the spaces of cities. The spaces themselves - the airports, the shopping malls, the museums and cultural quarters - are analysed in marvellous detail, and with a keen sense of historical precedent. And, refreshingly, Miles doesn't simply dismiss cultures of consumption out of hand, but shows how as consumers we are complicit in, and help define those cultures. His book makes a major contribution to our understanding of contemporary cities, but is accessible enough to appeal to any reader with an interest in this important area Richard Williams Edinburgh University <hr color= GBP666666 size= 1px /> This book challenges the accepted idea that post-industrial cities should be flagships of consumer culture. Through a wide-ranging survey of the literature, Miles shows that shopping malls, art museums, and spectacular festivals really create a less authentic experience of urban life Sharon Zukin author of 'Naked City: The Death and Life of Authentic Urban Places'

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Steve joined Brighton from the University of Liverpool where he was part of the management group of Impacts 08, the research programme designed to assess the social, cultural and economic impacts of European Capital of Culture. Perhaps the most bizarre experience of his academic career was presenting the proposal for Impacts 08 to a panel chaired by Loyd Grossman. Steve previously worked at Northumbria University where he was Head of Research for the Centre for Cultural Policy and Management and where he conducted a large-scale research project into the impact of cultural investment on Newcastle Gateshead Quayside. Many years previously Steve undertook his PhD in the Behavioural Sciences Department at the University of Huddersfield in which he was concerned with the relationship between consumption and identity amongst young people.

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