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Olesja Nein studied art history and history at the University of Osnabrü ck. She has been part of the Draiflessen Collection team since 2013. She co-curated the exhibitions DIE KUNST DES AUFBEWAHRENS and DEM BILD GEGENü BER and curated the exhibition LIEBE. Corinna Otto is a director of a private collection and an ambitioned art museum, in charge of curatorial and financial operations, she has wide knowledge and an outstanding network of international contemporary artists and art, but also of management processes involving a complex institution with a large team. Philipp Zitzlsperger studied art history, archaeology and modern history in Munich and Rome and received his doctorate from the LMU Munich in 2000 with a thesis on the baroque portraits of popes and rulers by Gianlorenzo Bernini. In the summer semester of 2007, Zitzlsperger habilitated at the Humboldt University in Berlin. In summer 2010, Zitzlsperger became Professor of Art and Design History at the Department of Design at Fresenius University of Applied Sciences in Berlin. He has been Dean of the Department of Design since September 2021 and will now move to the University of Innsbruck.

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