Overview

In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams. The term “underground music” as it’s being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that’s noisy and exploratory in sound and that’s largely independent from both the market and from traditional high art institutions. It sometimes exists at the fringes of these commercial and cultural institutions, as for example with experimental metal or improv, but for the most part it’s removed from the mainstream, “underground,” as we see with noise artists such as Werewolf Jerusalem or Ramleh, obscure black metal artists such as Lord Foul, and improvisers such as Maggie Nicols. In response to a lack of previous scholarly discussion, Graham provides a cultural, political, and aesthetic mapping of this broad territory. By outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism. The book explores these various ideas of separation and captures, through interviews and analysis, a critical account of both the music and the political and cultural economy of the scene.

Full Product Details

9780472119752

Table of Contents

Reviews

There are no sustained considerations of the underground currently in academic literature. There are many discussions of noise, of exchanges between pop and art spheres, and of course of popular music, but Stephen Graham provides a sorely needed contribution in the form of a study that unites all of these different strands intelligibly. I can think of few other scholars who would be able to speak with the confidence and authority that he commands. - Joanna Demers, University of Southern California

Author Information

Stephen Graham is Lecturer of Music at Goldsmiths, University of London.

Tab Content 6

Countries Available