Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño

Author:   Alex E. Chávez
Publisher:   Duke University Press
ISBN:  

9780822370093


Pages:   440
Publication Date:   01 December 2017
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño


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Full Product Details

Author:   Alex E. Chávez
Publisher:   Duke University Press
Imprint:   Duke University Press
Weight:   0.603kg
ISBN:  

9780822370093


ISBN 10:   0822370093
Pages:   440
Publication Date:   01 December 2017
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"Acknowledgments  xi Introduction: American Border/Lands  1 1. Aurality and the Long American Century  34 2. Companions of the Calling  62 3. Verses and Flows at the Dawn of Neoliberal Mexico  130 4. Regional Sounds: Mexican Texas and the Semiotics of Citizenship  198 5. From Potosi to Tennessee: Clandestine Desires and the Poetic Border  232 6. Huapango sin Fronteras: Mapping What Matters and Other Paths  278 Conclusion: They Dreamed of Bridges  316 Epilogue: ""Born in the U.S.A.""  327 Appendix A: Musical Transcriptions  331 Appendix B: Improvised Saludados  349 Notes  361 References  387 Index  411"

Reviews

In this masterful ethnography, Alex E. Chavez focuses on huapango arribeno, its performance, its circulation, and its consumption, to explore the everyday politics of Mexican migrant life in the United States. Evoking the border crossing of decimas and zapateados huapangueros, Chavez's beautiful writing continuously challenges the boundaries between storytelling, theory, and real life, to offer a dispassionate glimpse into the emotional paradoxes that inform the making of Mexican-American spaces and subjectivities in twenty-first-century America. -- Alejandro L. Madrid, author of * Nor-tec Rifa! Electronic Dance Music from Tijuana to the World * I am almost left at a loss for words, except: wow. Alex E. Chavez's writing is vivid, rich, and sensuous, and the command of voicing as he switches between perspectives and crosses theoretical, ethnographical, and analytical divides is effortless and constantly clarifying. One hears the sound of a major ethnographic voice emerging here. Sounds of Crossing is one of the best musical ethnographies I've read in years, and it will surely rank with the very best books in its category of this or any generation. -- Aaron A. Fox, author of * Real Country: Music and Language in Working-Class Culture *


I am almost left at a loss for words, except: wow. Alex E. Chavez's writing is vivid, rich, and sensuous, and the command of voicing as he switches between perspectives and crosses theoretical, ethnographical, and analytical divides is effortless and constantly clarifying. One hears the sound of a major ethnographic voice emerging here. Sounds of Crossing is one of the best musical ethnographies I've read in years and it will surely rank with the very best books in its category of this or any generation. -- Aaron A. Fox, author of Real Country: Music and Language in Working-Class Culture In this masterful ethnography, Alex E. Chavez focuses on huapango arribeno, its performance, its circulation, and its consumption, to explore the everyday politics of Mexican migrant life in the United States. Evoking the border crossing of decimas and zapateados huapangueros, Chavez's beautiful writing continuously challenges the boundaries between storytelling, theory, and real life, to offer a dispassionate glimpse into the emotional paradoxes that inform the making of Mexican-American spaces and subjectivities in twenty-first-century America. -- Alejandro L. Madrid, author of Nor-Tec Rifa! Electronic Dance Music from Tijuana to the World


Author Information

Alex E. ChÁvez is Assistant Professor of Anthropology at the University of Notre Dame and produced the album Serrano de CorazÓn by Guillermo VelÁzquez y Los Leones de la Sierra de XichÚ.

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