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OverviewAs one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond. Full Product DetailsAuthor: Loren KajikawaPublisher: University of California Press Imprint: University of California Press Dimensions: Width: 15.20cm , Height: 1.30cm , Length: 22.90cm Weight: 0.272kg ISBN: 9780520283992ISBN 10: 0520283996 Pages: 224 Publication Date: 07 March 2015 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsAcknowledgments Introduction: Sounding Race in Rap Songs PART I. STYLISTIC CHANGE AND RACIAL FORMATION IN RAP'S FIRST DECADE 1. Rapper's Delight : From Genre-less to New Genre 2. Rebel Without a Pause : Public Enemy Revolutionizes the Break PART II. REARTICULATING RACE IN THE NEOLIBERAL NINETIES 3. Let Me Ride : Gangsta Rap's Drive into the Popular Mainstream 4. My Name Is : Signifying Whiteness, Rearticulating Race Conclusion: Sounding Race in the Twenty-First Century Notes Discography Filmography Bibliography IndexReviewsAuthor InformationLoren Kajikawa is Assistant Professor of Musicology and Ethnomusicology at the University of Oregon, where he teaches courses on a variety of twentieth- and twenty-first-century musical practices. Tab Content 6Author Website:Countries AvailableAll regions |