Sounding Indigenous: Authenticity in Bolivian Music Performance

Author:   M. Bigenho
Publisher:   Palgrave USA
ISBN:  

9780312240158


Pages:   289
Publication Date:   20 September 2002
Format:   Paperback
Availability:   In Print   Availability explained
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Sounding Indigenous: Authenticity in Bolivian Music Performance


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Overview

Sounding Indigenous explores the relations between music, people, and places through analysis of Bolivian music performances: by a non-governmental organization involved in musical activities, by a music performing ensemble, and by the people living in two rural areas of Potosi. Based on research conducted between 1993 and 1995, the book frames debates of Bolivian national and indigenous identities in terms of different attitudes people assume towards cultural and artistic authenticity. The book makes unique contributions through an emphasis on music as sensory experience, through its theorization of authenticity in relation to music, through its combined focus on different kinds of Bolivian music (indigenous, popular, avant-garde), through its combined focus on music performance and the Bolivian nation, and through its interpretation of local, national, and transnational fieldwork experiences.

Full Product Details

Author:   M. Bigenho
Publisher:   Palgrave USA
Imprint:   Palgrave Macmillan
Dimensions:   Width: 14.00cm , Height: 1.60cm , Length: 21.60cm
Weight:   0.389kg
ISBN:  

9780312240158


ISBN 10:   0312240155
Pages:   289
Publication Date:   20 September 2002
Audience:   College/higher education ,  Professional and scholarly ,  Postgraduate, Research & Scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction Soundscapes of Bolivia Sensing Metaperformances in the Age of Mechanical Reproduction Authenticity in the National Music Projects Sonorous Sovereignty and Cultural Authenticity Fatal Nostalgia and the Absence of Nostalgia

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Author Information

MICHELLE BIGENHO is a Visiting Assistant Professor of Anthropology and Latin American Studies at Hampshire College. Her field of research has focused on music performance in Bolivia and Peru.

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