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Author:   James Mulholland (Assistant Professor, North Carolina State University)
Publisher:   Johns Hopkins University Press
Imprint:   Johns Hopkins University Press
Dimensions:   Width: 15.20cm , Height: 2.10cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9781421408545

ISBN 10:   1421408546
Pages:   232
Publication Date:   24 September 2013
Recommended Age:   From 17
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock  
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Table of Contents

"List of Illustrations Acknowledgments Introduction: The Global Aesthetics of Poetic Voice 1. Thomas Gray, Virtual Authorship, and the Performed Voice Authoring Gray's ""Elegy"" Performing Gray's ""Elegy"" Impersonating the Bard? Wildness and Welsh Prosody Quotation Marks (Un)Editing the Bards 2. Wales, Public Poetry, and the Politics of Collective Voice Bardic Nationalism Reconsidered The Aboriginal Aesthetics of Iolo Morganwg Listening to the Welsh Past Dead Voices Reanimated 3. Scotland and the Invention of Voice Primitive Passions, Poetry Addiction, History Ambiguous Speech Writing, Re- performance, and Restored Voices Intimate Hailing Ossian's Afterlife 4. Impersonating Native Voices in Anglo- Indian Poetry William Jones and the Fountainhead of Verse Making the Subaltern Speak Rewriting Gray's ""The Bard"" in India Dislocated Orientalism Coda: Reading the Archive of the Inauthentic Notes Bibliography Index"

Reviews

This is an excellent book, and one that will appeal not just to lovers of poetry but to historians of the Empire and sociologists who study trans-national influences. -- Clifford Cunningham Sun News Miami 2013

Author Information

James Mulholland is an assistant professor of English at North Carolina State University.

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