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9781350169593

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In compelling and intricately argued ways, the authors make a resounding case for understanding how vocal sonority is intrinsic to self-identity and self-reception. Inter-vocal sonority is shown to be crucial for social and political justice and a vital element in the repair of ravaged cultural landscapes. Required reading. * Jane Boston, Principal Lecturer, Voice Studies, Royal Central School of Speech and Drama, UK * This book is the first to bring the vibrant transdisciplinarity of sound studies together with contemporary philosophy. A marvelously materialist philosophy of voice, the book lays out a philosophy of voicing, breathing, and listening; it equips the reader with timely new concepts, including intervocality, unjust soundscapes, and the sonorous sonic voice itself. * Professor Ada Jaarsma, Mount Royal University, Canada *

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Ann J. Cahill is a Professor of Philosophy at Elon University, US, and is the author of Overcoming Objectification: A Carnal Ethics (2010) and Rethinking Rape (2001). Her research interests lie in the intersection between feminist theory and philosophy of the body, and she has published on topics such as miscarriage, beautification and sexual assault. Christine Hamel is an Assistant Professor of Voice and Speech and Acting at Boston University’s School of Theatre, US, where she teaches speech and dialects, voice, music theatre and a psycho-physical approach to acting. She is a professional actor, voice/dialect coach and director whose credits include work on Broadway, Off-Broadway, and in regional theatre. At Boston University, Christine is the director of Femina Shakes, a laboratory of intentional experimentation with sex and gender and their impact on interpretations of Shakespeare’s plays. She is a Designated Linklater Voice Teacher, a Michael Chekhov Technique Certified Instructor and a member of Actors’ Equity.

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