Overview

Part exploration of a key group of Black Canadian poets, part literary, cultural, and musical history, Soundin’ Canaan demonstrates how music in Black Canadian poetry is not solely aesthetic, but a form of social, ethical, and political expression.Soundin' Canaan refers to the code name often used for Canada during the Black migration to Canada. The book analyzes the contributions of key Black Canadian poets, including their poetic styles and their performances. The book has several key objectives, including recuperating the collision of the historical and the Biblically derived figure of Canaan, the promised land of freedom and security for an African American population seeking to leave the shackles of slavery behind and the northern terminus of the underground railroad. Centering around the poetry of George Elliott Clarke, Dionne Brand, M. NourbeSe Philip, Wayde Compton, and rapper K’naan, it delves into how these poets draw inspiration from African American and Afro-diasporic musical genres, such as blues, jazz, reggae and dub, hip-hop, and remix, to reshape the notions of identity and citizenship. Soundin' Canaan asks: what does Canadian citizenship sound like, especially when voiced by Black Canadian poets who embrace a fluid and multicultural form of citizenship that moves between local and global spaces, much like music does? Using a DJ Methodology, the author mixes in close readings of poetry, music, cultural and literary history, as well as various interviews with the poets. The book includes an accompanying soundtrack to further enhance the reading experience. Moreover, the book uses musical and sonic terms to analyze the poets’ works and reveals their engagement with ideals and exclusions of state-authorized multiculturalism in a society built upon settler colonialism and anti-Black racism. What happens when those not normally seen as citizens with full rights are brought more into the picture and seen as co-performers of the Canadian remix project? No longer for the elite alone, citizenship is to be universally conferred for all Canadians.

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9781771126212

Table of Contents

Reviews

In Soundin' Canaan: Black Canadian Poetry, Music, and Citizenship, Can-Lit-Crit scholar Paul db Watkins ""brings da noise,"" reading through Afro-Can poets to stress that our concern is to remix, adapt, sample, and echo African Diasporic literary and musical greats in confraternity or confrontation with the Bards of the Great White World-and of the Great White North. Watkins is himself an adept DJ, scribing a bluesaic (not prosaic) and a Rap-sodic exploration of how a quintet of Black Can poets kick-start the toppling of Plato and his reactionaries, who dread that any shift in musical taste is equivalent to an insurrection of the masses. Well, so be it! Watkins is the polyphonous polymath, not just reading the words, but listening for and sounding the Rastafarian aesthetics that trouble Luciferian ethics. In short, Watkins reads Black Can poems as mosaics of transgressive conjunctions. He is himself the Sage of the Remix, and intersperses his prose with shout-outs to YouTube videos and Spotify tracks of pertinent artistes. His playlist? Shakespeare and Shad; Ma Rainey and Martin Luther King. You read this book; you're now in the know. Why? Cos now ya's in the groove . -George Elliott Clarke - George Elliott Clarke, author of Whiteout: How Canada Cancels Blackness (Véhicule Press) & J'Accuse...! (Poem Versus Silence) (Exile Editions) ""Soundin' Canaan is an imaginative, innovative, original, and immensely generative study of the relations that connect Canadian Black poetry to music, multiculturalism, social membership, and citizenship."" - George Lipsitz - George Lipsitz, University of California-Santa Barbara, author of The Danger Zone Is Everywhere (University of California Press, 2024)

Soundin' Canaan is a wholly moving creation. This is what committed scholarship and critical artistry can be: meditative, far- reaching, humming, love-centred. - Jake Kennedy - The Malahat Review In Soundin' Canaan: Black Canadian Poetry, Music, and Citizenship, Can-Lit-Crit scholar Paul db Watkins ""brings da noise,"" reading through Afro-Can poets to stress that our concern is to remix, adapt, sample, and echo African Diasporic literary and musical greats in confraternity or confrontation with the Bards of the Great White World-and of the Great White North. Watkins is himself an adept DJ, scribing a bluesaic (not prosaic) and a Rap-sodic exploration of how a quintet of Black Can poets kick-start the toppling of Plato and his reactionaries, who dread that any shift in musical taste is equivalent to an insurrection of the masses. Well, so be it! Watkins is the polyphonous polymath, not just reading the words, but listening for and sounding the Rastafarian aesthetics that trouble Luciferian ethics. In short, Watkins reads Black Can poems as mosaics of transgressive conjunctions. He is himself the Sage of the Remix, and intersperses his prose with shout-outs to YouTube videos and Spotify tracks of pertinent artistes. His playlist? Shakespeare and Shad; Ma Rainey and Martin Luther King. You read this book; you're now in the know. Why? Cos now ya's in the groove . -George Elliott Clarke - George Elliott Clarke, author of Whiteout: How Canada Cancels Blackness (Véhicule Press) & J'Accuse...! (Poem Versus Silence) (Exile Editions) ""Soundin' Canaan is an imaginative, innovative, original, and immensely generative study of the relations that connect Canadian Black poetry to music, multiculturalism, social membership, and citizenship."" - George Lipsitz - George Lipsitz, University of California-Santa Barbara, author of The Danger Zone Is Everywhere (University of California Press, 2024)

Author Information

Paul Watkins is a Professor of English at Vancouver Island University. He is also a research team member with the International Institute for Critical Studies in Improvisation (IICSI). He has published widely on multiculturalism, hip-hop, Canadian poetry, jazz, DJ culture, and improvisation. Under his DJ alias, DJ Techné, he has completed several DJ projects that explore the spaces between poetry, hip-hop, and jazz.

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