Sound Technology and the American Cinema: Perception, Representation, Modernity

Author:   James Lastra
Publisher:   Columbia University Press
ISBN:  

9780231115162


Pages:   288
Publication Date:   27 June 2000
Format:   Hardback
Availability:   Out of stock   Availability explained


Our Price $224.40 Quantity:  
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Sound Technology and the American Cinema: Perception, Representation, Modernity


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Overview

-- Review of Communication

Full Product Details

Author:   James Lastra
Publisher:   Columbia University Press
Imprint:   Columbia University Press
Dimensions:   Width: 15.50cm , Height: 2.00cm , Length: 23.40cm
Weight:   0.500kg
ISBN:  

9780231115162


ISBN 10:   0231115164
Pages:   288
Publication Date:   27 June 2000
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   Out of stock   Availability explained

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Reviews

<p> An interesting scholarly account of the rise of early film sound technologies... fascinating in its discussion of how sound practice, particularly in the accounts of film sound engineers, complicates and grounds sound theory. -- Review of Communication


An interesting scholarly account of the rise of early film sound technologies... fascinating in its discussion of how sound practice, particularly in the accounts of film sound engineers, complicates and grounds sound theory. -- Review of Communication


An interesting scholarly account of the rise of early film sound technologies... fascinating in its discussion of how sound practice, particularly in the accounts of film sound engineers, complicates and grounds sound theory. -- Review of Communication An interesting scholarly account of the rise of early film sound technologies... fascinating in its discussion of how sound practice, particularly in the accounts of film sound engineers, complicates and grounds sound theory. -- Review of Communication An interesting scholarly account of the rise of early film sound technologies... fascinating in its discussion of how sound practice, particularly in the accounts of film sound engineers, complicates and grounds sound theory. -- Review of Communication


Author Information

James Lastra is associate professor of English at the University of Chicago.

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