Sound Technology and the American Cinema: Perception, Representation, Modernity

Author:   James Lastra
Publisher:   Columbia University Press
ISBN:  

9780231115179


Pages:   288
Publication Date:   18 July 2000
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Sound Technology and the American Cinema: Perception, Representation, Modernity


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Full Product Details

Author:   James Lastra
Publisher:   Columbia University Press
Imprint:   Columbia University Press
Dimensions:   Width: 15.00cm , Height: 1.60cm , Length: 22.80cm
Weight:   0.397kg
ISBN:  

9780231115179


ISBN 10:   0231115172
Pages:   288
Publication Date:   18 July 2000
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.
Language:   English

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Reviews

<p> An interesting scholarly account of the rise of early film sound technologies... fascinating in its discussion of how sound practice, particularly in the accounts of film sound engineers, complicates and grounds sound theory. -- Review of Communication


An interesting scholarly account of the rise of early film sound technologies... fascinating in its discussion of how sound practice, particularly in the accounts of film sound engineers, complicates and grounds sound theory. -- Review of Communication


An interesting scholarly account of the rise of early film sound technologies... fascinating in its discussion of how sound practice, particularly in the accounts of film sound engineers, complicates and grounds sound theory. -- Review of Communication An interesting scholarly account of the rise of early film sound technologies... fascinating in its discussion of how sound practice, particularly in the accounts of film sound engineers, complicates and grounds sound theory. -- Review of Communication An interesting scholarly account of the rise of early film sound technologies... fascinating in its discussion of how sound practice, particularly in the accounts of film sound engineers, complicates and grounds sound theory. -- Review of Communication


Author Information

James Lastra is associate professor of English at the University of Chicago.

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