|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Eddie BazilPublisher: PC Publishing Imprint: PC Publishing Dimensions: Width: 17.20cm , Height: 0.90cm , Length: 24.40cm Weight: 0.227kg ISBN: 9781906005047ISBN 10: 1906005044 Pages: 88 Publication Date: 07 January 2008 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Out of Print Availability: In Print ![]() Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock. Table of ContentsContents 1: What is a 'good' mix? Cleanliness. Clarity. Separation. Level. Balance. Genre test. Environment test. 2: Preparing the listening environment Sound waves. Distance to side wall and back wall. Distance to speakers from listening position. Toe-in. Tilt. Listening height. Seating location. Calibrating the signal path. Digital systems. The procedure. 3: Personal preparation Ears. Lighting. Well ventilated room. Cleanliness. No drugs or alcohol. The task at hand. Don't mix in one sitting. Comfort. Allocate time and no distractions. 4: The tools Effects. Reverb. Delay. Feedback. Chorus. Flange. Dynamics. EQ. Compression. Limiter. 5: Headphones and loudspeakers Stereo Imaging. Noise. Gain boosting and gain reduction. Filtering. Mono sounds. 6: Noise Hums, hisses and rumbles. Sibilance and pops. Lead in. Noise filters. 7: Mixing to stereo The stage environment. Natural reverberation. 8: The mix Import the audio tracks. Create groups. Group the vocals. Name channels and parts. Check the files for noise. Noise gates. Correcting 'bleed'. Pan. 9: The level and pan mix Levels (gains). Panning. Layering and panning pads. Panning drums. Panning vocals. Backing vocals. 10: Mixing with dynamics and effects Using compressors. Using effects. EQ. 11: Using EQ at the mix stage EQing drums. Kick and snare. Other percussive sounds, rides, hi hats. Lead vocals. Backing vocals. EQing an audio sample. 12: Compression in the mix Multiband compressors. Compressing drums. Compressing vocals. Compression for master stereo mix. 13: Effects in the mix Using reverb for colour. Using reverb for space. Impulse responses. Less is more. Glossary IndexReviewsAuthor InformationEddie Bazil has been associated with the record industry since his teens when he worked with some of the most notable Electro/New Wave and Dance/Rap bands. He progressed into the remix market and his involvement, both as a programmer and producer, with a number of labels and artistes, has been very fruitful, a number of tracks achieving top positions in their respective charts.The past three years have seen Eddie move more into the beat production and remix markets. Most of the projects that he has been involved in have been contracts exclusively for artistes and labels. Using his pseudonym 'Zukan', or simply staying anonymous, Eddie has been quietly pleased at the success of some of his work in the public domain. Tab Content 6Author Website:Countries AvailableAll regions |