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Author:   Anna Snaith (King's College London)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 16.00cm , Height: 2.90cm , Length: 23.50cm
Weight:   0.760kg
ISBN:  

9781108479608

ISBN 10:   110847960
Pages:   438
Publication Date:   18 June 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

Part I. Origins: 1. Hearing and the senses Sam Halliday; 2. Fragments on/of voice David Nowell Smith; 3. Sonic forms: Ezra Pound's anti-metronome modernism in context Jason David Hall; 4. Classical music and literature Gemma Moss; 5. Aesthetics, music, noise Brad Bucknell; Part II. Development: 6. Literary soundscapes Helen Groth; 7. Noise James G. Mansell; 8. 'Lost in music': wild notes and organized sound Paul Gilroy; 9. Media history and sound technology Julie Beth Napolin; Part III. Applications: 10. What we talk about when we talk about talking books Edward Allen; 11. Prose sense and its soundings Garrett Stewart; 12. Dissonant prosody A. J. Carruthers; 13. Deafness and sound Rebecca Sanchez; 14. Vibrations Shelley Trower; 15. Feminism and sound Ella Finer; 16. Wireless imaginations Debra Rae Cohen; 17. Attending to theatre sound studies and Complicite's The Encounter Adrian Curtin; 18: Bob Dylan and sound: a tale of the recording era Barry J. Faulk.

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Author Information

Anna Snaith is Professor of Twentieth-Century Literature at King's College London. Her publications include Virginia Woolf: Public and Private Negotiations (2000), and Modernist Voyages: Colonial Women Writers in London, 1890-1945 (2014). She has edited Virginia Woolf's The Years (2012) and  A Room of One's Own and Three Guineas (2015). She is currently working on a monograph on interwar literary modernism and noise.

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