Sonidos Negros: On the Blackness of Flamenco

Awards:   Winner of Winner of the 2020 Barnard Hewitt Award for Outstanding Research in Theatre History.
Author:   K. Meira Goldberg (Visiting Research Scholar, Visiting Research Scholar, CUNY Graduate Center)
Publisher:   Oxford University Press Inc
ISBN:  

9780190466923


Pages:   352
Publication Date:   31 January 2019
Format:   Paperback
Availability:   To order   Availability explained
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Sonidos Negros: On the Blackness of Flamenco


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Awards

  • Winner of Winner of the 2020 Barnard Hewitt Award for Outstanding Research in Theatre History.

Overview

How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, in the span between 1492 and 1933, the vanquished Moor became Black, and how this figure, enacted in terms of a minstrelized Gitano, paradoxically came to represent Spain itself. The imagined Gypsy about which flamenco imagery turns dances on a knife's edge delineating Christian and non-Christian, White and Black worlds. This figure's subversive teetering undermines Spain's symbolic linkage of religion with race, a prime weapon of conquest. Flamenco's Sonidos Negros live in this precarious balance, amid the purposeful confusion and ruckus cloaking embodied resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by enslavement and colonization.

Full Product Details

Author:   K. Meira Goldberg (Visiting Research Scholar, Visiting Research Scholar, CUNY Graduate Center)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 16.80cm , Height: 1.90cm , Length: 23.90cm
Weight:   0.440kg
ISBN:  

9780190466923


ISBN 10:   0190466928
Pages:   352
Publication Date:   31 January 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

"List of Illustrations Acknowledgments Foreword: Brenda Dixon Gottschild Introduction: The Moor Inside Part I. Changing Places: Figuring Race and Empire in the Eighteenth-Century Fandango Chapter 1. Good Shepherd, Bumpkin Shepherd: Distinction in Villano Gambetas (Gambols) and Zapatetas (Stamps) Chapter 2. Concentric Circles of Theatricality: Pantomimic Dances from the Sacred to the Secular Part II. A Modernist Becoming: The Power of Blackness Chapter 3. Parody and Sorrow Chapter 4. Nonsense of the Body Chapter 5. Tilting across the Racial Divide: Jacinto Padilla, ""El Negro Meri"" and the Flamenco Clown Chapter 6. Jaleo de Jerez and Tumulte Noir: Juana Vargas ""La Macarrona"" at the Exposition Universelle, Paris, 1889 Conclusions: ""Lily-White Maidens"" and ""Black Gitanos"" Bibliography: Index:"

Reviews

A surprising and necessary book, especially in an area - flamenco studies - where there is little scholarship bringing together ample documentation, interpretive richness and, above all, an original focus. Neither the academy nor flamenco aficionados will remain indifferent to this work. * Alberto del Campo Tejedor * Sonidos Negros is a majestic work - readable, revelatory, and bringing to bear all Goldberg's previous work in research and practice to reach this tome of truth. She speaks in a voice both personal and professional, inviting us in to share the insights of a life lived in flamenco, insights that may well shake up the ways in which scholars and lay readers, alike, perceive what it means to look at what we think we know, or realize we don't know, with new eyes. * From the Foreword by Brenda Dixon Gottschild * Accessibly written and engaging, K. Meira Goldberg has gifted us an original monograph that will impress and tantalize a diverse array of readers across many scholarly disciplines in the humanities and social sciences. * Black Perspectives *


It will be a critical addition not only to flamenco studies, but to a growing body of transatlantic performance scholarship...It is worth underlining, in closing, that it's a beautifully written book... -- Michelle Clayton, Dance Research Journal Sonidos Negros will become fundamental reading for flamenco scholars and offers innovative insights into the complex genealogy of the tradition's sub-Saharan and African-American roots. She convincingly shows how we can come to 'understand flamenco's pain, flamenco's soul DL flamenco's power, through the experience of Blackness' (16). -- Matthew Machin-Autenrieth, University of Cambridge, European History Quarterly Without doubt this work offers an original and novel approach, a book that no Spanish author could have written without having their perspective limited, contaminated by the social and historical context of our blood. -- Sinfonia Virtual (translated) A beautifully written book: while making space for all the lively, equivocating, mutable gestures which swarm across its pages DL creating a stage for bulla DL it's always attentive to narrative style, always concerned to shape those gestures into a movement sequence. Throughout its pages, the dancing body animates history. -- Dance Research Journal Sonidos Negros: On the Blackness of Flamenco places the art of flamenco in new territory as a part of discourse on race and racism, spanning from medieval Spain to post-modern America Goldberg's research creates a new layer to the power of the double-faced expression of flamenco and its expression of resistance in a dance form that has been reproduced across the planet. Her research is an essential component in expanding the study of the history, evolution, and varied expressions of flamenco. -- Diagonal: An Ibero-American Music Review Meira Goldberg analyzes, with notable erudition, how the politics of Blackness is inscribed in flamenco. -- Diario de Sevilla Sonidos Negros explores unprecedented new ground, the interrelated politics of Blackness and flamenco dance. It does this from historical, anthropological, and sociological angles which until now have scarcely been tread. It is another way of viewing and interpreting history, which constructs unprecedented identities -- it identifies Blackness with religious confusion -- and unusual binaries -- blood purity/depravity, purity/impurity. It constitutes a complete challenge to traditionally assumed concepts. -- Jose Luis Navarro Garcia, author of Semillas de ebano: el elemento negro y afroamericano en el baile flamenco Accessibly written and engaging, K. Meira Goldberg has gifted us an original monograph that will impress and tantalize a diverse array of readers across many scholarly disciplines in the humanities and social sciences. -- Black Perspectives Sonidos Negros is a majestic work - readable, revelatory, and bringing to bear all Goldberg's previous work in research and practice to reach this tome of truth. She speaks in a voice both personal and professional, inviting us in to share the insights of a life lived in flamenco, insights that may well shake up the ways in which scholars and lay readers, alike, perceive what it means to look at what we think we know, or realize we don't know, with new eyes. -- From the Foreword by Brenda Dixon Gottschild A surprising and necessary book, especially in an area - flamenco studies - where there is little scholarship bringing together ample documentation, interpretive richness and, above all, an original focus. Neither the academy nor flamenco aficionados will remain indifferent to this work. -- Alberto del Campo Tejedor One of the strengths of this book is the author's ability to synthesize an array of genres and dances that criss-cross centuries, geographies and sacred/secular domains. As such, the book goes beyond simply flamenco scholarship and will be of interest to theorists of Blackness, dance historians and ethnomusicologists ... Drawing on years of in-depth historical research, Goldberg has produced an important and complex scholarly contribution. Sonidos Negros will become fundamental reading for flamenco scholars and offers innovative insights into the complex genealogy of the tradition's sub-Saharan and African-American roots. -- Matthew Machin-Autenrieth, European History Quarterly


A surprising and necessary book, especially in an area - flamenco studies - where there is little scholarship bringing together ample documentation, interpretive richness and, above all, an original focus. Neither the academy nor flamenco aficionados will remain indifferent to this work. * Alberto del Campo Tejedor * Sonidos Negros is a majestic work - readable, revelatory, and bringing to bear all Goldberg's previous work in research and practice to reach this tome of truth. She speaks in a voice both personal and professional, inviting us in to share the insights of a life lived in flamenco, insights that may well shake up the ways in which scholars and lay readers, alike, perceive what it means to look at what we think we know, or realize we don't know, with new eyes. * From the Foreword by Brenda Dixon Gottschild *


Accessibly written and engaging, K. Meira Goldberg has gifted us an original monograph that will impress and tantalize a diverse array of readers across many scholarly disciplines in the humanities and social sciences. -- Black Perspectives Sonidos Negros is a majestic work - readable, revelatory, and bringing to bear all Goldberg's previous work in research and practice to reach this tome of truth. She speaks in a voice both personal and professional, inviting us in to share the insights of a life lived in flamenco, insights that may well shake up the ways in which scholars and lay readers, alike, perceive what it means to look at what we think we know, or realize we don't know, with new eyes. -- From the Foreword by Brenda Dixon Gottschild A surprising and necessary book, especially in an area - flamenco studies - where there is little scholarship bringing together ample documentation, interpretive richness and, above all, an original focus. Neither the academy nor flamenco aficionados will remain indifferent to this work. -- Alberto del Campo Tejedor


Author Information

K. Meira Goldberg is a flamenco performer, teacher, choreographer and historian. She teaches at Fashion Institute of Technology and is Scholar in Residence at the Foundation for Iberian Music at the CUNY Grad Center. She has taught and guest lectured at Sarah Lawrence College, New York University, Flamenco Festival International in Albuquerque, Ballet Hispanico, Bryn Mawr, Princeton, Duke, Juilliard, The New School, and Smith College.

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