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9781531509132

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An icon is an object that stands for another object on the basis of resemblance. It's also an image, rendered in pigment, painted in song, that weaves the past into the present. Every icon is the outcome of a series of replications beginning with the moment of incarnation, when the divine took human form. Sarah Bakker Kellogg draws together these meanings, and more, in this remarkable study of how Syriac Orthodox women reproduce a community, a religious tradition, and a connection to a sacred past, through song, service, and a commitment to a unique way of life. This is a book that refuses to take short cuts when it comes to making sense of the migrant experience in Europe. In Kellogg's hands, religion and ethnicity are not identities to be taken for granted, but the product of interpretive work, undertaken by people buffeted by the weather systems of imperialism, colonialism, and secular modernity. Covering everything from the impoverishing logic of European racism to the politics of anti-Chalcedonian sects, Sonic Icons is deeply empirical, deeply reflexive, and unfailingly original. A challenging and rewarding book.---Danilyn Rutherford, author of Living in Stone Age: Reflections on the Origins of a Colonial Fantasy

An icon is an object that stands for another object on the basis of resemblance. It's also an image, rendered in pigment, painted in song, that weaves the past into the present. Every icon is the outcome of a series of replications beginning with the moment of incarnation, when the divine took human form. Sarah Bakker Kellogg draws together these meanings, and more, in this remarkable study of how Syriac Orthodox women reproduce a community, a religious tradition, and a connection to a sacred past, through song, service, and a commitment to a unique way of life. This is a book that refuses to take short cuts when it comes to making sense of the migrant experience in Europe. In Bakker Kellogg's hands, religion and ethnicity are not identities to be taken for granted, but the product of interpretive work, undertaken by people buffeted by the weather systems of imperialism, colonialism, and secular modernity. Covering everything from the impoverishing logic of European racism to the politics of anti-Chalcedonian sects, Sonic Icons is deeply empirical, deeply reflexive, and unfailingly original. A challenging and rewarding book.---Danilyn Rutherford, author of Living in Stone Age: Reflections on the Origins of a Colonial Fantasy

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An anthropologist by training, Sarah Bakker Kellogg teaches courses on religion, gender, and ethnography at San Francisco State University. As an interdisciplinary and publicly engaged scholar, she bridges North American, European, and Middle Eastern conversations about racism, religious difference, gender, and global migration politics. She has presented and published work on secularism and aesthetics, racism and racialization, and the transnational politics of minority recognition in flagship social science journals like American Ethnologist, Current Anthropology, and Cultural Anthropology.

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