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OverviewDrawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role of music and lesbian community formation. She argues that the women's music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women's involvement in the women's music festival scene, the ramifications of their performances as drag kings in those environments, and the challenges and joys of a black lesbian retreat based on the feminist festival model. With acuity and candor, longtime feminist activist Hayes elucidates why this music scene matters. Veteran vocalist, percussionist, producer, and cultural historian Linda Tillery provides a foreword. Full Product DetailsAuthor: Eileen M. Hayes , Linda TilleryPublisher: University of Illinois Press Imprint: University of Illinois Press Dimensions: Width: 15.20cm , Height: 2.00cm , Length: 22.90cm Weight: 0.499kg ISBN: 9780252035142ISBN 10: 0252035143 Pages: 248 Publication Date: 26 February 2010 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Out of Print Availability: Out of stock ![]() Table of ContentsReviewsExhibiting multiple sites of influence and authorities, the first chapter, 'Diary of a Mad Black Woman Festigoer,' is one of the most engaging ethnographies I have read. Who can resist a scholar who isn't afraid to talk about serious matters via one of the highest forms of intelligence: humor? Guthrie P. Ramsey Jr., author of Race Music: Black Cultures from Bebop to Hip-Hop This is the book we've been waiting for. Hayes provides valuable interrogations of the internal and external politics around race, gender, sexuality, culture, and the formations of black feminist consciousness that can make or break a social movement. Kimberly Springer, author of Living for the Revolution: Black Feminist Organizations, 1968-1980 Author InformationEileen M. Hayes is an associate professor of music and the chair of the division of music history, theory, and ethnomusicology at the University of North Texas. She is the coeditor of Black Women and Music: More than the Blues. Tab Content 6Author Website:Countries AvailableAll regions |