Awards

• Nominated for Alan Merriam Prize (Ethnomusicology) 2020 (United States)
• Nominated for Alan Merriam Prize, most distinguished English-language monograph in the field of ethnomusicology 2019 (United States)
• Nominated for Chief Minister's NT History Book Award 2020 (Australia)
• Nominated for PM Literary Awards (Australian History) 2020 (Australia)
• Winner of Alan Merriam Prize (Ethnomusicology) 2020

Overview

The Gurindji people of the Northern Territory are perhaps best-known for their walk-off of Wave Hill Station in 1966, protesting against mistreatment by the station managers. The strike would become the first major victory of the Indigenous land rights movement. Many discussions of station life are focused on the harsh treatment of Aboriginal workers. Songs from the Stations portrays another side of life on Wave Hill Station. Amongst the harsh conditions and decades of mistreatment, an eclectic ceremonial life flourished during the first half of the 20th century. Constant travel between cattle stations by Indigenous workers across north-western and central Australia meant that Wave Hill Station became a cross-road of desert and Top End musical styles. As a result, the Gurindji people learnt songs from the Mudburra who came further east, the Bilinarra from the north, the Nyininy from the west, and the Warlpiri from the south. This book is the first detailed documentation of wajarra, public songs performed by the Gurindji people in response to contemporary events in their community. Featuring five song sets known as Laka, Mintiwarra, Kamul, Juntara, and Freedom Day, it is an exploration of the cultural exchange between Indigenous communities that was fostered by their involvement in the pastoral industry.

Full Product Details

9781743325841

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Reviews

' ... the depth of the analyses and attention to detail make this work an important contribution to the fields of history, linguistics and ethnomusicology. The general reader will see how all aspects of Gurindji culture intertwine, resulting in a most sophisticated world view. Ethnomusicologists, especially, will learn from the careful method used in musical analysis.' -- Grace Koch * Aboriginal History Journal * ‘Songs from the Stations is an important work – an invaluable work. It’s the first time that these public songs, as performed by the Gurindji, have been documented in detail.' -- Madelaine Dickie * National Indigenous Times *

' ... the depth of the analyses and attention to detail make this work an important contribution to the fields of history, linguistics and ethnomusicology. The general reader will see how all aspects of Gurindji culture intertwine, resulting in a most sophisticated world view. Ethnomusicologists, especially, will learn from the careful method used in musical analysis.' -- Grace Koch * Aboriginal History Journal * 'Songs from the Stations is an important work - an invaluable work. It's the first time that these public songs, as performed by the Gurindji, have been documented in detail.' -- Madelaine Dickie * National Indigenous Times *

'Songs from the Stations is an important work - an invaluable work. It's the first time that these public songs, as performed by the Gurindji, have been documented in detail.' -- Madelaine Dickie * National Indigenous Times *

Author Information

Myfany Turpin is an Australian Research Council Future Fellow at the Sydney Conservatorium of Music at the University of Sydney. Felicity Meakins is an ARC Future Fellow in the School of Languages and Cultures at the University of Queensland.

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