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OverviewThis book, based on fieldwork spanning a decade, gives a comprehensive analysis of the musical life of a unique Polynesian community whose geographical isolation, together with a local ban on missionaries and churches, combine to allow its 600 members to maintain a level of traditional cultural practices unique to the region. Taku is arguably the only location where traditional Polynesian religion continues to be practiced. This book explores the many ways in which spirit activities impact on both domestic and ritual life, how group singing and dancing give audible and visible expression to a variety of religious beliefs, and how spirit mediums relay songs and dances from the recent dead. Taku's community is well able to articulate the significance of their own strong performance tradition, and this book allows expert singers and dancers to speak passionately for themselves on subjects they understand intimately. Musical ethnographies from the Pacific are rare. Like Moyle's earlier landmark volumes on Samoan and Tongan music, and also his trilogy on Australian Aboriginal music, this work will be of immense value to Pacific studies and will assume a place among the recognized staples of ethnomusicological research. Full Product DetailsAuthor: Richard MoylePublisher: University of Hawai'i Press Imprint: University of Hawai'i Press Volume: No.21 Dimensions: Width: 16.00cm , Height: 2.70cm , Length: 23.30cm Weight: 0.689kg ISBN: 9780824831752ISBN 10: 0824831756 Pages: 384 Publication Date: 31 July 2007 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviews'Why... so much singing on Taku?' is the compelling, orienting question threaded through [this] volume.... One comes away from reading the book with an understanding of music embedded within the fibers of Taku lifeways, constitutive of both individual character and social solidarity. - Janet Dixon Keller, University of Illinois, Urbana-Champaign 'Why... so much singing on Taku?' is the compelling, orienting question threaded through [this] volume.... One comes away from reading the book with an understanding of music embedded within the fibers of Taku lifeways, constitutive of both individual character and social solidarity. - Janet Dixon Keller, University of Illinois, Urbana-Champaign Author InformationRichard Moyle is director of Pacific studies and director of the Archive of Maori and Pacific Music at the University of Auckland. Tab Content 6Author Website:Countries AvailableAll regions |