Overview

"Famously reclusive and secretive, North Korea can be seen as a theatre that projects itself through music and performance. The first book-length account of North Korean music and dance in any language other than Korean, Songs for ""Great Leaders"" pulls back the curtain on this theatre for the first time. Renowned ethnomusicologist Keith Howard moves from the first songs written in the northern part of the divided Korean peninsula in 1946 to the performances in February 2018 by a North Korean troupe visiting South Korea for the Pyeongchang Winter Olympic Games. Through an exceptionally wide range of sources and a perspective of deep cultural competence, Howard explores old revolutionary songs and new pop songs, developments of Korean instruments, the creation of revolutionary operas, and mass spectacles, as well as dance and dance notation, and composers and compositions. The result is a nuanced and detailed account of how song, together with other music and dance production, forms the soundtrack to the theater of daily life, embedding messages that tell the official history, the exploits of leaders, and the socialist utopia yet-to-come. Based on fieldwork, interviews, and resources in private and public archives and libraries in North Korea, South Korea, China, North America and Europe, Songs for ""Great Leaders"" opens up the North Korean regime in a way never before attempted or possible."

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9780190077518

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An exemplary work of scholarship that is worth a read for those interested in innovative ethnomusicological approaches or any aspect of Korean music from traditional to contemporary. It is also a noteworthy contribution to the growing historical body of work on North Korea considering that Howard is well-versed in the historiography of the DPRK and as a result makes historical judgements and inferences instead of merely citing other schoars to provide context for pieces and practices of music.... It is hard to imagine something more insightful and more comprehensive than this work. * Peter Moody, Ethnomusicology Forum * a book which will cause all close readers to think about music and its role in society. * Martin Cloonan, Popular Music *

An exemplary work of scholarship that is worth a read for those interested in innovative ethnomusicological approaches or any aspect of Korean music from traditional to contemporary. It is also a noteworthy contribution to the growing historical body of work on North Korea considering that Howard is well-versed in the historiography of the DPRK and as a result makes historical judgements and inferences instead of merely citing other schoars to provide context for pieces and practices of music.... It is hard to imagine something more insightful and more comprehensive than this work. * Peter Moody, Ethnomusicology Forum * a book which will cause all close readers to think about music and its role in society. * Martin Cloonan, Popular Music *

Author Information

Keith Howard is Professor Emeritus at SOAS, University of London, and Leverhulme Emeritus Fellow. From 2017 to 2018 he was Kent R. Mullikin Fellow at the National Humanities Center, North Carolina, and before that he served as Professor and Head of Department at SOAS, and Professor and Associate Dean at Sydney Conservatorium of Music, University of Sydney. He has held visiting professorships at Monash University, Ewha Women's University, and Hankuk University of Foreign Studies, was editorial chair for the SOAS Musicology Series (Ashgate/Routledge) for nine years (2008-2017), and founded and managed the SOASIS CD and DVD series as well as OpenAir Radio.

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