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OverviewPaving new paths for the study of the history of literature, this study explores the intricate networks of one single poem across two centuries – the ‘Vårvindar friska’, a poem meant to be sung. The Swedish song ‘Vårvindar friska’ (Fresh Spring Breezes) started its public life in 1828 between the covers of a book, as a poem written to a traditional melody. Since then, it has been reprinted, translated, performed, and used in the most surprising contexts, in different corners of the world. This particular case may be rather exceptional, but Gunilla Hermansson argues that the underlying dynamics are not – and yet they have been underexposed in studies of literary history. This exploration of ‘Vårvindar friska’ reveals the rich and intricate network of one text and uncovers new facets of how people have engaged with word art in their everyday lives in the modern era. This network includes untraditional yet widespread uses of poetry and lyrics in lonely hearts columns and railway work – and seemingly strange bedfellows, such as a constellation of Nordic ‘folk songs’ and American plantation songs. The afterlives of this song evoke questions concerning class, gender, race, citizenship, technology, and modernity from new angles, as well as theoretical and methodological questions of circulation, textual instability, canonization, paradigmatic turns, uses and ‘misuses’. Song Lyrics and Literary History demonstrates how poetry is transformed when shared across time, borders, media and social and ideological divides. Being attentive to poetry-meant-to-be-sung, Hermansson argues, opens to a fuller and more representative picture of the cultural history of literature. Full Product DetailsAuthor: Dr. or Prof. Gunilla Hermansson (University of Gothenburg, Sweden)Publisher: Bloomsbury Publishing USA Imprint: Bloomsbury Publishing USA ISBN: 9798765127353Pages: 312 Publication Date: 10 July 2025 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Figures Acknowledgements Introduction · Research design and outline of the book 1. The usability of ‘Vårvindar friska’ · Julia Nyberg as Euphrosyne · Romanticism, folk songs and the productive reception of the past · The poem and its procreativity · The early reception and a snowball effect 2. Performing the nation: Male appropriations · New elites and levelling fraternities · Poetry and song in cooperation and competition · The politics of performing the nation · Masculine freshness on tour · A shared effort 3. Railways and lyrics connecting the nation · Poetry and railways · The order of participation · Royalism and old bones · Tegnér cut up and adapted · Three concerts and a fountain 4. Making it over there: Migration and identity building · Travelling poetry, travelling songs · Newspaper evidence: A unique landscape of uses · Organized Swedish singing in America and live performances · Supporting Swedishness 5. Carry me back: Folk songs, racechanges and the making of national canons · Racechanges and racism in Swedish America · National art and fantasies of home · ‘Vårvindar friska’ and plantation songs · There’s no place like home: Transatlantic exchanges 6. Money, money, money: International stars and Nordic femininity · Going to Hollywood · The way it really was: Lost innocence in the West · Kyrkjebø and the demands of the market · Work, sex and Nordic femininity 7. Investing in the future: Advertising and consumer culture · Spring desires and the ritualization of consumption · Lonely hearts: The economy of personal happiness · Promoting and expanding Swedishness with lyrics and cars 8.Textual transformations · Translating as tinting: Professionals versus amateurs · For better, for worse: Healthy children and merry drinkers · Translation-adaptations: Poetry and popular songs · Fan translations, machines and childhood recollections 9. Nazi and ultra-nationalist appropriations – and the limits of (mis)use · Appropriation strategies – and legal limits · The instability and power of texts – and conceptual limits 10. Song lyrics and ‘Vårvindar friska’ as a challenge to literary history · The endurance of poetry, orality and aurality in the modern era · The importance of song lyrics for a social account of literary history · Invented traditions connecting past, present and future · Reading, listening and performing: The interdependence of music and literature · Possible literary histories, concepts and models to think by Notes Bibliography IndexReviewsThis book tells an exciting and eye-opening literary history of Julia Nyberg’s well-known and beloved song, “Vårvindar friska” from 1828. Gunilla Hermansson breaks new ground for literary history by delving into the story of a popular song. The study of literature needs fresh eyes, new ideas and approaches that cut across familiar ways of thinking. With Song Lyrics and Literary History, the reader is rewarded with a very well-written and surprising narrative, and with thought-provoking discussions on new paths for the old discipline of literary history. * Anne-Marie Mai, Professor of Nordic Literature, University of Southern Denmark * Author InformationGunilla Hermansson is Professor of Comparative Literature at University of Gothenburg, Sweden. Her research is primarily devoted to Nordic romantic, early avant-garde and modernist literature and the problems and possibilities of literary history. Her most recent books are Swedish Women’s Writing on Export (2019, co-author) and Exploring Nordic Cool in Literary History (2020, co-editor). Tab Content 6Author Website:Countries AvailableAll regions |