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9780197547779

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"""Jennifer Saltzstein's new book is absolutely eye opening. Sharing the recent tendency to take exordial stanzas at their word rather than as empty rhetorical gestures, Saltzstein asks what aspects of nature, exactly, the Natureingang describes. Her search for answers uncovers the fascinating historical and social geography of medieval French landscape reflected in these songs. [...] Throughout, landscape is brilliantly conjugated with poetic texts, musical settings, social class, and the framing effects of vision that turn land into landscape, whether it be the commanding vistas of the powerful, the perilous seclusion of rape victims, or the privacy of ladies in a walled garden. Saltzstein's corpus is wide but the implications of this impressive book go wider still, making this a must-read for anyone interested in France in the long thirteenth century."" -- Sarah Kay, author of Medieval Song from Aristotle to Opera ""From the moment when Jennifer Saltzstein writes that she aims to explore the songs of twelfth- and thirteenth-century France in relation to 'plant-life, topography, climate, and patterns of land use' it is clear that this book will be something very special indeed. And so it is. This is a brilliantly conceived, well written, and most persuasive study that explores some of the richest repertoires of medieval music in terms of their natural environment on the fertile grasslands and undulating hills of the north-European plain."" -- Christopher Page, University of Cambridge ""This rich and essential study excavates the trouvères' musical and poetic landscapes with insightful attention to the complex conditions of their songs' composition and transmission. Combining environmental history with musicological analysis and manuscript studies, Jennifer Saltzstein offers a holistic account of the intertwined cultures of chivalry, clergy, and city, and the ways that the human experience of the natural world resonated in song throughout the long thirteenth century - whose end coincided with that of the Medieval Climatic Optimum and the waning of the trouvère tradition itself."" -- Carol Symes, author of A Common Stage: Theatre and Public Life in Medieval"

Jennifer Saltzstein's new book is absolutely eye opening. Sharing the recent tendency to take exordial stanzas at their word rather than as empty rhetorical gestures, Saltzstein asks what aspects of nature, exactly, the Natureingang describes. Her search for answers uncovers the fascinating historical and social geography of medieval French landscape reflected in these songs. [...] Throughout, landscape is brilliantly conjugated with poetic texts, musical settings, social class, and the framing effects of vision that turn land into landscape, whether it be the commanding vistas of the powerful, the perilous seclusion of rape victims, or the privacy of ladies in a walled garden. Saltzstein's corpus is wide but the implications of this impressive book go wider still, making this a must-read for anyone interested in France in the long thirteenth century. -- Sarah Kay, author of Medieval Song from Aristotle to Opera From the moment when Jennifer Saltzstein writes that she aims to explore the songs of twelfth- and thirteenth-century France in relation to 'plant-life, topography, climate, and patterns of land use' it is clear that this book will be something very special indeed. And so it is. This is a brilliantly conceived, well written, and most persuasive study that explores some of the richest repertoires of medieval music in terms of their natural environment on the fertile grasslands and undulating hills of the north-European plain. -- Christopher Page, University of Cambridge This rich and essential study excavates the trouveres' musical and poetic landscapes with insightful attention to the complex conditions of their songs' composition and transmission. Combining environmental history with musicological analysis and manuscript studies, Jennifer Saltzstein offers a holistic account of the intertwined cultures of chivalry, clergy, and city, and the ways that the human experience of the natural world resonated in song throughout the long thirteenth century - whose end coincided with that of the Medieval Climatic Optimum and the waning of the trouvere tradition itself. -- Carol Symes, author of A Common Stage: Theatre and Public Life in Medieval

"It's a fantastic book and I enjoyed reading it and discussing it! * Aine Palmer, New Books Network * While Saltzstein demonstrates great scope across disciplines and time periods, her close reading of the text provides only a tantalizing glimpse at the potential for her framework. This is, perhaps, the intention behind the ""toward"" of the book's title, expressing a hope and a call for similar approaches - a hope which I also share. * Jennifer Schmitt Carnell, Speculum *"

Author Information

Jennifer Saltzstein is the Presidential Professor and Associate Professor of Musicology at the University of Oklahoma. She is author of The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry and editor of Musical Culture in the World of Adam de la Halle and received the H. Colin Slim Award from the American Musicological Society for her 2017 article, ""Rape and Repentance in Two Medieval Motets."" Saltzstein has received grants and awards from the Huntington Library Foundation, the International Machaut Society, the American Musicological Society, and the National Endowment for the Humanities, which awarded her both a summer stipend (2014) and a year-long fellowship (2016-2017).

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