Sondheim in Our Time and His

Author:   W. Anthony Sheppard (Marylin and Arthur Levitt Professor of Music, Marylin and Arthur Levitt Professor of Music, Williams College)
Publisher:   Oxford University Press Inc
ISBN:  

9780197603208


Pages:   456
Publication Date:   31 May 2022
Format:   Paperback
Availability:   To order   Availability explained
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Sondheim in Our Time and His


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Author:   W. Anthony Sheppard (Marylin and Arthur Levitt Professor of Music, Marylin and Arthur Levitt Professor of Music, Williams College)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.60cm , Height: 2.20cm , Length: 15.50cm
Weight:   0.821kg
ISBN:  

9780197603208


ISBN 10:   0197603203
Pages:   456
Publication Date:   31 May 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

"Introduction: Our Sondheim W. ANTHONY SHEPPARD Part I. Early Stages 1. Williams College Before, During, and After Sondheim STEVE SWAYNE 2. Fragments of Fairyland: Sondheim's Abandoned Adaptation of Mary Poppins DOMINIC McHUGH 3. ""...nearly everything I wrote"": Sondheim and the Actors Studio JEFFREY MAGEE 4. Breakout from the Asylum of Conformity: Sondheim, Laurents, and the Dramaturgy of Anyone Can Whistle JAMES O'LEARY Part II. Staging Identities 5. Sondheim's Whiteness TODD DECKER 6. Politics, Representation, and Collaboration in Pacific Overtures (1976) ASHLEY M. PRIBYL 7. Sexual Identity in Company, 1969-2019 ANDREW BUCHMAN 8. Students Performing Gender with Sondheim's Musicals in the Age of #MeToo STACY WOLF Part III. Versions, Genres, and Collaborations 9. Sweeney's Identity Crisis and the Dynamic Potential of Generic Hybridity KIM H. KOWALKE 10. ""A sad and listless affair"": The Unsung Film Adaptation of Sondheim's A Little Night Music GEOFFREY BLOCK Part IV. Reconceived Structures and Techniques 11. Time and Time Again: Temporal Structures in Sondheim's Musicals JIM LOVENSHEIMER 12. Sunday in the Park with Sondheim, Lapine, Seurat, and Babbitt LARA E. HOUSEZ 13. Sondheim and the 11 O'clock Principle ELIZABETH A. WELLS 14. Finishing the Line: Wit, Rhythm, and Rhyme in Sondheim W. ANTHONY SHEPPARD Afterword: Moving on with Sondheim KRISTEN ANDERSON-LOPEZ"

Reviews

To say I have put Sondheim on a pedestal would be an understatement. He is the genius of all geniuses. The Father, Son, and Holy Ghost of my chosen religion: musical theater. As has been explored in multiple chapters in this book, Sondheim's monolithic greatness-to my mind and in the Broadway community at large-is connected to his ability to capture the nuanced paradoxes of the human heart and mind. * from the Afterword by Kristen Anderson-Lopez, Oscar and Grammy award-winning songwriter * All hail to a comprehensive collection representing the latest work and thoughts by most of the big Sondheim players in the musicological field! The quality of the contributions is high, and several essays may become classics. * Stephen Banfield, emeritus professor, University of Bristol *


To say I have put Sondheim on a pedestal would be an understatement. He is the genius of all geniuses. The Father, Son, and Holy Ghost of my chosen religion: musical theater. As has been explored in multiple chapters in this book, Sondheim's monolithic greatnessDLto my mind and in the Broadway community at largeDLis connected to his ability to capture the nuanced paradoxes of the human heart and mind. * from the Afterword by Kristen Anderson-Lopez, Oscar and Grammy award-winning songwriter * All hail to a comprehensive collection representing the latest work and thoughts by most of the big Sondheim players in the musicological field! The quality of the contributions is high, and several essays may become classics. * Stephen Banfield, emeritus professor, University of Bristol * Given the range of topics and the subject expertise from contributors well established in the field, there will be something in this collection for experienced academicians as well as the new practitioners. * John Snelson, Music & Letters *


Author Information

W. Anthony Sheppard is Marylin and Arthur Levitt Professor of Music at Williams College. His first book, Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater received the Kurt Weill Prize, his article on Madama Butterfly and film earned the ASCAP Deems Taylor Award, an article on World War II film music was honored with the Alfred Einstein Award by the American Musicological Society, and ""Puccini and the Music Boxes"" received the AMS H. Colin Slim Award. His most recent book, Extreme Exoticism: Japan in the American Musical Imagination, received the AMS Music in American Culture Award and the Society for American Music Lowens Award. Sheppard's research has been supported by the NEH, the American Philosophical Society, the ACLS, and the Institute for Advanced Study, Princeton. He has served as Editor-in-Chief of the Journal of the American Musicological Society and is now Series Editor of AMS Studies in Music.

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