|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Daniel Ross Goodman , Rabbi Irving (Yitz) GreenbergPublisher: University Press of America Imprint: Hamilton Books Dimensions: Width: 15.30cm , Height: 1.20cm , Length: 22.00cm Weight: 0.254kg ISBN: 9780761872238ISBN 10: 076187223 Pages: 162 Publication Date: 24 August 2020 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsForeword Permissions Also by Daniel Ross Goodman Introduction Chapter 1: To the Wonder Chapter 2: Renoir Chapter 3: The End of the Tour Chapter 4: Nebraska Chapter 5: Boyhood Chapter 6: Exodus: Gods and Kings Chapter 7: Ex Machina Chapter 8: Adaptation Chapter 9: Gravity Chapter 10: Magic in the Moonlight Chapter 11: Inside Llewyn Davis Chapter 12: All is Lost Chapter 13: Roger Ebert—In Memorium Chapter 14: Hollywood, the Oscars, and the Missing Modern Jew Chapter 15: The Great Beauty Chapter 16: Grand Budapest Hotel Chapter 17: The Big Short Chapter 18: La La Land Chapter 19: Blue Jasmine Chapter 20: The Wolf of Wall Street Chapter 21: Museum Hours Chapter 22: Life Itself Chapter 23: The Great Gatsby Chapter 24: Tree of Life Chapter 25: The Revenant Bibliography Index of Films Referenced About the AuthorReviewsGoodman invites us into a conversation about film that stimulates the emotions and the intellect. He produces a rich fusion of insights from literary, philosophical, biblical, and rabbinic sources, while keeping the conversation light-hearted and accessible.--Claudia Setzer, Manhattan College This book takes its readers on a fascinating journey through recent Hollywood films that illustrate the deep experiential similarities between cinema and religion in bringing together the heavenly and the human, the sublime and the mundane. The appreciative, but also analytical and critical, treatments of individual movies engage with Jewish and Christian themes and texts, and are punctuated here and there with excurses on the life and legacy of Roger Ebert and the image of Jews in Hollywood film. An enjoyable, informative, and inspiring read for all film-lovers.--Adele Reinhartz, professor and chair, Department of Classics and Religious Studies, University of Ottawa This is a serious book but it is fun to read. On page after page, it surprises us with new insights drawn out of old iconic screen moments. After reading Goodman, you will reverse the old adage. Instead of saying I lost it at the movies, you will say: I found it (vision/divinity/global connectivity) at the movies. Thank God and thank Goodman.--Irving Greenberg, President of the J.J. Greenberg Institute for the Advancement of Jewish Life Author InformationDaniel Ross Goodman is a writer, rabbi, and scholar from western Massachusetts. He writes on art, film, literature, and sports for the Washington Examiner, and his academic and popular articles have appeared in numerous journals, magazines, and newspapers. He is also the author of the novel A Single Life. Tab Content 6Author Website:Countries AvailableAll regions |
||||