Solo Performances: Staging the Early Modern Self in England

Author:   Ute Berns
Publisher:   Brill
Volume:   132
ISBN:  

9789042029521


Pages:   272
Publication Date:   01 January 2010
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Solo Performances: Staging the Early Modern Self in England


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Full Product Details

Author:   Ute Berns
Publisher:   Brill
Imprint:   Editions Rodopi B.V.
Volume:   132
Dimensions:   Width: 15.50cm , Height: 1.60cm , Length: 23.50cm
Weight:   0.466kg
ISBN:  

9789042029521


ISBN 10:   9042029528
Pages:   272
Publication Date:   01 January 2010
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Manfred Pfister: Foreword Ute Berns: Solo Performances — an Introduction Authoring and Authority Ina Schabert: The Theatre in the Head: Performances of the Self for the Self by the Self Andrew James Johnston: Subjectivity and the Ekphrastic Prerogative: Emilia’s Soliloquy in The Two Noble Kinsmen Richard Wilson: Our Good Will: Shakespeare’s Cameo Performance Werner von Koppenfels: Spiritual Self-Fashioning: John Lilburne at the Pillory Self-Inventions and Pathologies Jürgen Schlaeger: Auto-Dialogues: Performative Creation of Selves Günter Walch: The Life and Strange and Surprising Adventures of Hamlet, of Denmark Maria Del Sapio Garbero: A Spider in the Eye/I: The Hallucinatory Staging of the Self in Shakespeare’s The Winter’s Tale Rui Carvalho Homem: Of Idiocy, Moroseness, and Vitriol: Soloists of Rage in Ben Jonson’s Satire Wolfgang G. Müller: The Poem as Performance: Self-Definition and Self-Exhibition in John Donne’s Songs and Sonets Margret Fetzer: Plays of Self: Theatrical Performativity in Donne Fashioning Sovereignty Roger Lüdeke / Andreas Mahler: Stating the Sovereign Self: Polity, Policy, and Politics on the Early Modern Stage Jerzy Limon: The Monarch as the Solo Performer in Stuart Masque Ralf Hertel: Turkish Brags and Winning Words: Solo Performances in Christopher Marlowe’s Tamburlaine the Great Notes on Contributors

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