Overview

Sociology for Music Teachers: Practical Applications, Second Edition, outlines the basic concepts relevant to understanding music teaching and learning from a sociological perspective. It demonstrates the relationship of music to education, schooling and society, and examines the consequences for making instructional choices in teaching methods and repertoire selection. The authors look at major theories, and concepts relevant to music education, texts in the sociology of music, and thoughts of selected ethnomusicologists and sociologists. The new edition takes a more global approach than was the case in the first edition and includes the application of sociological theory to contexts beyond the classroom. The Second Edition: Presents major theories in ethnomusicology, both traditional and contemporary. Takes a global approach by presenting a variety of teaching practices beyond those found in the United States. Emphasizes music education in a traditional classroom setting, but also applies specific constructs to studio teaching situations in conservatories (with private lessons) and community music. Provides recommendations for teaching practices by addressing popular music in school music curricula, suggests inclusionary projects that explore musical styles and repertoire of the past and present, and connects school to community music practices of varying kinds. Contains an increased number of suggestions for projects and discussions among the students using the book.

Full Product Details

Author:   Hildegard Froehlich (University of North Texas) ,  Gareth Smith
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   2nd edition
Weight:   0.294kg
ISBN:  

9781138224513

ISBN 10:   1138224510
Pages:   194
Publication Date:   19 April 2017
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Introduction: Why Sociology for Music Teachers? Premises, Purpose, Themes, and Objectives A Brief Chapter Synopsis The Book’s Bibliographical Content Chapter 1 The Performer and Teacher in You—A Matter of Identity Introduction Occupational Identities in Music Some Basics about the Aspiring Music Teacher in Different Countries Questions for Class Discussions and Project Proposals Chapter 2 Music Teaching as Work Becoming Socialized to an Occupation A Teacher’s Norms, Values, and Roles as Subject Matter Expert and School Employee Music Teaching as Work Questions for Class Discussions and Project Proposals Chapter 3 Music Learning and Teaching as Socially Situated Acts Introduction Music as a Subject in the Social Realities of School Music Teachers as Bridge Builders between Different Communities Questions for Class Discussions and Project Proposals Chapter 4 Music in Social Theories: Voices from Ethno-Musicology, Music Sociology, Cultural Theory, and Music Education Music as a Social Construct: From Earlier Thoughts to the Present Social Constructs Informing the Study of Music Practices Questions for Class Discussions and Project Proposals Chapter 5 Sociology of Education: Social Constructs with Relevance for Music Teachers Introduction Opportunity and Achievement Gaps Among Learners ""The Hidden Curriculum"" Teachers as Curriculum Experts and Pedagogues Questions for Class Discussions and Project Proposals Chapter 6 The Music Teacher as Value Educator Introduction It Matters Who Does What, Where, When, and How Teaching to Ask Questions, Question Values, and Value Diversity Questions for Class Discussions and Projects Chapter 7 The Sociologically Savvy Music Educator Introduction Thinking in Interdisciplinary Terms and Looking for Connections Embracing Musical and Social Realities Embracing Theory to Improve on Practice Questions for Class Discussions and Review of Project Proposals"

Reviews

Author Information

HILDEGARD FROEHLICH is Emeritus Professor at University of North Texas GARETH DYLAN SMITH is Research Fellow at the Institute of Contemporary Music Performance, London

Tab Content 6

Author Website:  

Countries Available

All regions