Sociology and Visual Representation

Author:   Elizabeth Chaplin
Publisher:   Taylor & Francis Ltd
ISBN:  

9780415073622


Pages:   316
Publication Date:   27 October 1994
Format:   Hardback
Availability:   In Print   Availability explained
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Sociology and Visual Representation


Overview

Recent technological developments have transformed our culture into a much more visual one. This book is concerned with still images, diagrams, and the visual presentation of the written text. It focuses, especially, on those recent texts which have changed the relationship of analysis to topic of analysis by incorporating visual representation into the analysis itself. The first section of the book focuses on critical' accounts. It charts the history of critical theories and critical analyses of visual art from the earliest times to the present day. The author shows that photography, critical postmodernism and, above all, feminism have each played a part in blurring the distinction between art and non-art visual representations and in questioning the assumption that the verbal does the analyzing while the visual merely constitutes the object of analysis. The author argues that critical analyses of society are powerful when both verbal and visual dimensions are consciously activated and co-ordinated. The second section charts the history of empirical social analyses of visual art, scientific and other depictions. Again, it highlights those works that make use of the visual dimension, especially in the field of anthropology, and Chaplin includes an account of her own photographic project. Chaplin demonstrates that while depictions can contribute to social science analysis things that words alone cannot, unconventional typography and page layout can also add sociological meaning and contribute to a sound methodological stance. She urges social scientists to make more conscious use of visual representation in their analyses. More importantly, she argues that such a course offers social scientists who are women the opportunity to develop a distinctive women's approach to social analysis.

Full Product Details

Author:   Elizabeth Chaplin
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.60cm , Height: 1.90cm , Length: 23.40cm
Weight:   0.453kg
ISBN:  

9780415073622


ISBN 10:   0415073626
Pages:   316
Publication Date:   27 October 1994
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction Part I The critical paradigm 1 Critical writing about visual art 1 Introduction and early writings 2 Critical writings about visual art: class analyses I 3 Non-critical writings about visual art: connoisseurship, humanism 4 Critical writings about visual art: class analyses II 2 From written, class analyses of visual art to the use of visual representation in critique 3 Visual and verbal critique: feminism and postmodernism Part II The empirical paradigm Introduction to Part II 4 Sociological analyses of visual representation 5 The use of visual representation in anthropology and sociology 6 Visual representation and new literary forms for sociology 7 A coming together

Reviews

`Elizabeth Chaplin's book should be a real stimulus to sociologists to engage further with these and other issues within visual sociology.' I Sociology


Author Information

Elizabeth Chaplin is a tutor/counsellor for the Open University in London and a visiting lecturer in sociology at the University of York.

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