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9781854595379

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Essential reading for anyone contemplating a life in the theatre fast lane. Thelma Holt A perfect handbook for beginners and a useful aide-memoire for those of us who ve been at it for years. Nicholas Allott, Managing Director, Cameron Mackintosh Ltd At last, hundreds of students on arts management and administration courses have a comprehensive reference book. It proves a unique guide for anyone taking their first steps into the world of productions Anthony Field, The Stage Yes! A good book on producing theatre, written by a successful theatre producer!...valuable insights on everything from the creative issues of coming up with the ideas and casting a show, through to tackling touring costs, insurance, marketing, PR and so forth...valuable information for anyone putting on a production of any scale in any setting. Total Theatre

Essential reading for anyone contemplating a life in the theatre fast lane. -- Thelma Holt A perfect handbook for beginners and a useful aide-memoire for those of us who've been at it for years. --Nicholas Allott, Managing Director, Cameron Mackintosh Ltd At last, hundreds of students on arts management and administration courses have a comprehensive reference book. It proves a unique guide for anyone taking their first steps into the world of productions --Anthony Field, The Stage Yes! A good book on producing theatre, written by a successful theatre producer!...valuable insights on everything from the creative issues of coming up with the ideas and casting a show, through to tackling touring costs, insurance, marketing, PR and so forth...valuable information for anyone putting on a production of any scale in any setting. --Total Theatre -Essential reading for anyone contemplating a life in the theatre fast lane.--- Thelma Holt -A perfect handbook for beginners and a useful aide-memoire for those of us who've been at it for years.---Nicholas Allott, Managing Director, Cameron Mackintosh Ltd -At last, hundreds of students on arts management and administration courses have a comprehensive reference book. It proves a unique guide for anyone taking their first steps into the world of productions---Anthony Field, The Stage -Yes! A good book on producing theatre, written by a successful theatre producer!...valuable insights on everything from the creative issues of coming up with the ideas and casting a show, through to tackling touring costs, insurance, marketing, PR and so forth...valuable information for anyone putting on a production of any scale in any setting.---Total Theatre

'At last, hundreds of students on arts management and administration courses have a comprehensive reference book. It proves a unique guide for anyone taking their first steps into the world of productions' -- Anthony Field * The Stage * 'Yes! A good book on producing theatre, written by a successful theatre producer!...valuable insights on everything from the creative issues of coming up with the ideas and casting a show, through to tackling touring costs, insurance, marketing, PR and so forth...valuable information for anyone putting on a production of any scale in any setting' * Total Theatre *

Essential reading for anyone contemplating a life in the theatre fast lane. -- Thelma Holt<br><br> A perfect handbook for beginners and a useful aide-memoire for those of us who've been at it for years. --Nicholas Allott, Managing Director, Cameron Mackintosh Ltd<br><br> At last, hundreds of students on arts management and administration courses have a comprehensive reference book. It proves a unique guide for anyone taking their first steps into the world of productions --Anthony Field, The Stage <br><br> Yes! A good book on producing theatre, written by a successful theatre producer!...valuable insights on everything from the creative issues of coming up with the ideas and casting a show, through to tackling touring costs, insurance, marketing, PR and so forth...valuable information for anyone putting on a production of any scale in any setting. -- Total Theatre <br>

Author Information

James Seabright is one of the UK's leading independent theatre producers. He has produced over one hundred shows in the West End, on UK and international tours and at the Edinburgh Festival, where he is the most prolific producer on the Fringe. In 2010, The Stage named him in its list of the hundred most influential people in British theatre. He is a member of the Society of London Theatre. 

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