Slow Painting: Contemplation and Critique in the Digital Age

Author:   Helen Westgeest (Leiden University, Netherlands)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350283572


Pages:   240
Publication Date:   19 May 2022
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Slow Painting: Contemplation and Critique in the Digital Age


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Author:   Helen Westgeest (Leiden University, Netherlands)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Visual Arts
ISBN:  

9781350283572


ISBN 10:   1350283576
Pages:   240
Publication Date:   19 May 2022
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

Slow Painting roundly rebuts the notion that painting has been made obsolete by lens-based media or digital developments. On the contrary, Helen Westgeest argues for painting's relevance as a contemporary medium that is flexible, vibrantly political and endlessly renewing. This masterful, accessible book provides a rallying point for discussions of painting in the twenty-first century. * Lucy Soutter, author of Why Art Photography? (2013) *


Slow Painting roundly rebuts the notion that painting has been made obsolete by lens-based media or digital developments. On the contrary, Helen Westgeest argues for painting’s relevance as a contemporary medium that is flexible, vibrantly political and endlessly renewing. This masterful, accessible book provides a rallying point for discussions of painting in the twenty-first century. * Lucy Soutter, author of Why Art Photography? (2013) *


Author Information

Helen Westgeest is Associate Professor of Modern & Contemporary Art History and Photography Theory at Leiden University, The Netherlands., and worked as field editor for photography at caa.reviews. She has published several articles in peer-reviewed journals, as well as two monographs and two edited collections. Her research interests are how the medium produces meaning in the visual arts, contemporary art, the theory of photography, and video art and artistic interactions between the East and West.

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