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Reviews

In Slow Cinema, editors Tiago de Luca and Nuno Barradas Jorge explore the emergence of the titular 'slow cinema' as an aesthetic category that animates a particular sense of cinematic time and duration, placing emphasis on introspection, reflection and contemplation... the volume is especially illuminating when underscoring an integral link between slow cinema, the non-human and ecocinema. -- London School of Economics Review of Books, Sander Holsgens

"'In Slow Cinema, editors Tiago de Luca and Nuno Barradas Jorge explore the emergence of the titular slow cinema as an aesthetic category that animates a particular sense of cinematic time and duration, placing emphasis on introspection, reflection and contemplation... the volume is especially illuminating when underscoring an integral link between slow cinema, the non-human and ecocinema.' --Sander Hölsgens ""LSE Review of Books"""

"'In Slow Cinema, editors Tiago de Luca and Nuno Barradas Jorge explore the emergence of the titular slow cinema as an aesthetic category that animates a particular sense of cinematic time and duration, placing emphasis on introspection, reflection and contemplation... the volume is especially illuminating when underscoring an integral link between slow cinema, the non-human and ecocinema.' --Sander H�lsgens ""LSE Review of Books"""

Author Information

Tiago de Luca is Reader in Film Studies at the University of Warwick. He is the author of Planetary Cinema: Film, Media and the Earth (2022), Realism of the Senses in World Cinema: The Experience of Physical Reality (2014) and the editor (with Nuno Barradas Jorge) of Slow Cinema (2016). He is the editor (with Lúcia Nagib) of the Film Thinks series. Nuno Barradas Jorge is a Teaching Associate in Film and Television Studies in the School of Cultures, Languages and Area Studies at The University of Nottingham. He is the co-editor, with Tiago de Luca, of Slow Cinema (Edinburgh University Press, 2016). His work appeared in, among others, the journal Adaptation and in the anthologies Migration in Lusophone Cinema (Palgrave Macmillan, 2014) and Global Portuguese Cinema (I.B. Tauris, 2017).

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