Overview

Inside the complex and misunderstood world of professional street skateboarding On a sunny Sunday in Los Angeles, a crew of skaters and videographers watch as one of them attempts to land a “heel flip” over a fire hydrant on a sidewalk in front of the Biltmore Hotel. A staff member of the hotel demands they leave and picks up his phone to call the police.Not only does the skater land the trick, but he does so quickly, and spares everyone the unwanted stress of having to deal with the cops. This is not an uncommon occurrence in skateboarding, which is illegal in most American cities and this interaction is just part of the process of being a professional street skater. This is just one of Gregory Snyder’s experiences from eight years inside the world of professional street skateboarding: a highly refined, athletic and aesthetic pursuit, from which a large number of people profit. Skateboarding LA details the history of skateboarding, describes basic and complex tricks, tours some of LA's most famous spots, and provides an enthusiastic appreciation of this dangerous and creative practice. Particularly concerned with public spaces, Snyder shows that skateboarding offers cities much more than petty vandalism and exaggerated claims of destruction. Rather, skateboarding draws highly talented young people from around the globe to skateboarding cities, building a diverse and wide-reaching community of skateboarders, filmmakers, photographers, writers, and entrepreneurs. Snyder also argues that as stewards of public plazas and parks, skateboarders deter homeless encampments and drug dealers. In one stunning case, skateboarders transformed the West LA Courthouse, with Nike’s assistance, into a skateable public space. Through interviews with current and former professional skateboarders, Snyder vividly expresses their passion, dedication and creativity. Especially in relation to the city's architectural features—ledges, banks, gaps, stairs and handrails—they are constantly re-imagining and repurposing these urban spaces in order to perform their ever-increasingly difficult tricks. For anyone interested in this dynamic and daunting activity, Skateboarding LA is an amazing ride.

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9780814769867

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Reviews

The magic by which street skateboardersexecute impossible aerial tricks is wrapped in another kind of magic: theirability to transform the most mundane of urban spaces into open-air theaters ofcollective performance. Snyder is hip to both sorts of magic, and because he is,Skateboarding LA is a thing of beauty: urban sociology on four wheels, culturalcriminology on the fly, and ethnography at its best. -Jeff Ferrell,Author of Empire of Scrounge: Inside the Urban Underground of Dumpster Diving, Trash Picking, an A rigorously researched and richly rendered ethnography of skateboarding that takes us beyond the acrobatics, lingo, and lifestyles of its elite practitioners into the economics and subcultural dynamics of the scene, and its forays into political activism and sense of community. The reader's perception of skating is flipped like the proverbial board. Far from `skate punks,' `pros' are elite athletes and their friends and collaborators are engines of new-media creativity. Gregory Snyder has done it again, producing another iconic study of a key subculture and in the process offers nothing less than a meditation on the nature of career, work and life. -Jonathan Ilan,Author of Understanding Street Culture: Poverty, Crime, Youth, and Cool

The magic by which street skateboarders execute impossible aerial tricks is wrapped in another kind of magic: their ability to transform the most mundane of urban spaces into open-air theaters of collective performance. Snyder is hip to both sorts of magic, and because he is, Skateboarding LA is a thing of beauty: urban sociology on four wheels, cultural criminology on the fly, and ethnography at its best. -Jeff Ferrell,Author of Empire of Scrounge: Inside the Urban Underground of Dumpster Diving, Trash Picking, an A rigorously researched and richly rendered ethnography of skateboarding that takes us beyond the acrobatics, lingo, and lifestyles of its elite practitioners into the economics and subcultural dynamics of the scene, and its forays into political activism and sense of community. The reader's perception of skating is flipped like the proverbial board. Far from `skate punks,' `pros' are elite athletes and their friends and collaborators are engines of new-media creativity. Gregory Snyder has done it again, producing another iconic study of a key subculture and in the process offers nothing less than a meditation on the nature of career, work and life. -Jonathan Ilan,Author of Understanding Street Culture: Poverty, Crime, Youth, and Cool

The magic by which street skateboarders execute impossible aerial tricks is wrapped in another kind of magic: their ability to transform the most mundane of urban spaces into open-air theaters of collective performance. Snyder is hip to both sorts of magic, and because he is, Skateboarding LA is a thing of beauty: urban sociology on four wheels, cultural criminology on the fly, and ethnography at its best -- Jeff Ferrell,Author of Empire of Scrounge: Inside the Urban Underground of Dumpster Diving, Trash Picking, an An intensive and engaging study, written in vivid detail and supported by copious numbers of photographs. -- Social Forces A personal and descriptive ethnographic account of how male skaters based in the street and associated industries continue in their various attempts to progress the sport ... Snyder's depiction of spatial usage, capital codes and benefits, as well as communal activism found within today's neo-liberal skateboarding scene is compelling. -- Canadian Journal of Sociology While Skateboarding LA is not the first ethnography of the sport, it can rightfully claim to be the most rigorous and in depth of the existing literature ... Throughout the book, Snyder critiques previous research that has assumed subcultures like skateboarding are uniformly about youthful resistance to the demands of capital. Instead, he approaches the sport as a production process. -- American Journal of Sociology A rigorously researched and richly rendered ethnography of skateboarding that takes us beyond the acrobatics, lingo, and lifestyles of its elite practitioners into the economics and subcultural dynamics of the scene, and its forays into political activism and sense of community. The readers perception of skating is flipped like the proverbial board. Far from & skate punks, & pros are elite athletes and their friends and collaborators are engines of new-media creativity. Gregory Snyder has done it again, producing another iconic study of a key subculture and in the process offers nothing less than a meditation on the nature of career, work and life. -- Jonathan Ilan,Author of Understanding Street Culture: Poverty, Crime, Youth, and Cool

While Skateboarding LA is not the first ethnography of the sport, it can rightfully claim to be the most rigorous and in depth of the existing literature … Throughout the book, Snyder critiques previous research that has assumed subcultures like skateboarding are uniformly about youthful resistance to the demands of capital. Instead, he approaches the sport as a production process. -- American Journal of Sociology A personal and descriptive ethnographic ac¬count of how male skaters based in the street and associated industries continue in their various attempts to progress the sport … Snyder’s depiction of spatial usage, capital codes and benefits, as well as communal activism found within today’s neo-liberal skateboarding scene is compelling. -- Canadian Journal of Sociology An intensive and engaging study, written in vivid detail and supported by copious numbers of photographs. -- Social Forces A rigorously researched and richly rendered ethnography of skateboarding that takes us beyond the acrobatics, lingo, and lifestyles of its elite practitioners into the economics and subcultural dynamics of the scene, and its forays into political activism and sense of community. The readers perception of skating is flipped like the proverbial board. Far from & skate punks, & pros are elite athletes and their friends and collaborators are engines of new-media creativity. Gregory Snyder has done it again, producing another iconic study of a key subculture and in the process offers nothing less than a meditation on the nature of career, work and life. -- Jonathan Ilan,Author of Understanding Street Culture: Poverty, Crime, Youth, and Cool The magic by which street skateboarders execute impossible aerial tricks is wrapped in another kind of magic: their ability to transform the most mundane of urban spaces into open-air theaters of collective performance. Snyder is hip to both sorts of magic, and because he is, Skateboarding LA is a thing of beauty: urban sociology on four wheels, cultural criminology on the fly, and ethnography at its best -- Jeff Ferrell,Author of Empire of Scrounge: Inside the Urban Underground of Dumpster Diving, Trash Picking, an

While Skateboarding LA is not the first ethnography of the sport, it can rightfully claim to be the most rigorous and in depth of the existing literature ... Throughout the book, Snyder critiques previous research that has assumed subcultures like skateboarding are uniformly about youthful resistance to the demands of capital. Instead, he approaches the sport as a production process. -- American Journal of Sociology A personal and descriptive ethnographic account of how male skaters based in the street and associated industries continue in their various attempts to progress the sport ... Snyder's depiction of spatial usage, capital codes and benefits, as well as communal activism found within today's neo-liberal skateboarding scene is compelling. -- Canadian Journal of Sociology An intensive and engaging study, written in vivid detail and supported by copious numbers of photographs. -- Social Forces A rigorously researched and richly rendered ethnography of skateboarding that takes us beyond the acrobatics, lingo, and lifestyles of its elite practitioners into the economics and subcultural dynamics of the scene, and its forays into political activism and sense of community. The readers perception of skating is flipped like the proverbial board. Far from & skate punks, & pros are elite athletes and their friends and collaborators are engines of new-media creativity. Gregory Snyder has done it again, producing another iconic study of a key subculture and in the process offers nothing less than a meditation on the nature of career, work and life. -- Jonathan Ilan,Author of Understanding Street Culture: Poverty, Crime, Youth, and Cool The magic by which street skateboarders execute impossible aerial tricks is wrapped in another kind of magic: their ability to transform the most mundane of urban spaces into open-air theaters of collective performance. Snyder is hip to both sorts of magic, and because he is, Skateboarding LA is a thing of beauty: urban sociology on four wheels, cultural criminology on the fly, and ethnography at its best -- Jeff Ferrell,Author of Empire of Scrounge: Inside the Urban Underground of Dumpster Diving, Trash Picking, an

The magic by which street skateboarders execute impossible aerial tricks is wrapped in another kind of magic: their ability to transform the most mundane of urban spaces into open-air theaters of collective performance. Snyder is hip to both sorts of magic, and because he is, Skateboarding LA is a thing of beauty: urban sociology on four wheels, cultural criminology on the fly, and ethnography at its best. -Jeff Ferrell,Author of Empire of Scrounge: Inside the Urban Underground of Dumpster Diving, Trash Picking, an A rigorously researched and richly rendered ethnography of skateboarding that takes us beyond the acrobatics, lingo, and lifestyles of its elite practitioners into the economics and subcultural dynamics of the scene, and its forays into political activism and sense of community. The reader's perception of skating is flipped like the proverbial board. Far from `skate punks,' `pros' are elite athletes and their friends and collaborators are engines of new-media creativity. Gregory Snyder has done it again, producing another iconic study of a key subculture and in the process offers nothing less than a meditation on the nature of career, work and life. -Jonathan Ilan,Author of Understanding Street Culture: Poverty, Crime, Youth, and Cool

Author Information

Gregory J. Snyder is Associate Professor of Sociology at Baruch College, City University of New York. He is the author of Graffiti Lives: Beyond the Tag in New York’s Urban Underground.

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