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The work for Solo Violin BWV 1001-1006 by Johann Sebastian Bach (1685-1750) originally titled (Sei Solo - a Violino senza basso accompagnato), was published long after his death in 1802 by Nikolaus Simrock in Bonn (Germany), by Fortunately, the sources that are preserved today are those of the autograph manuscript itself and in good condition, it is archived in the Berlin State Library (Mus. Sra. Bach P 967). The urtext version presented for Viola was only adapted, edited, and transcribed by Roisber Narvaez. Transposing in an interval of a perfect 5th descended was essential for the adaptation of the viola, for that reason, C-clef prevail the most part of the time as possible to facilitate the study and reading of the player, except those acute sections where it needs to use the G-clef. This printed version tries to capture and reproduce the original intention of the Baroque composer as faithfully as possible and without adding or changing the musical content, however, some spelling and rhythmic errors have been corrected throughout the work to facilitate the interpretation of the viola player. Some suggestions by the editor have been placed in square brackets.La obra para Violin Solo BWV 1001-1006 de Johann Sebastian Bach (1685-1750) titulada originalmente (Sei Solo - a violino senza basso accompagnato), fue publicada mucho despues de su muerte en 1802 por Nikolaus Simrock en Bonn (Alemania), por fortuna, las fuentes que se conservan en la actualidad son las del propio manuscrito autografo y en buen estado, se encuentra archivada en la Biblioteca Estatal de Berlin (Mus. Sra. Bach P 967). La version urtext presentada para Viola solo fue adaptada, editada y transcrita por Roisber Narvaez. Transportar en un intervalo de 5ta justa hacia abajo fue indispensable para la adaptacion a la viola, por tal motivo, la clave de do prevalece la mayor parte del tiempo como sea posible para facilitar el estudio y lectura del ejecutante, salvo aquellas secciones agudas donde es preciso utilizar la clave de sol. Esta version impresa intenta capturar y reproducir la intencion original del compositor barroco lo mas fiel que sea posible y sin anadir o cambiar el contenido musical, sin embargo, se han corregido algunos errores ortograficos y ritmicos a lo largo de la obra para facilitar la interpretacion al ejecutante de viola. Se han colocado entre corchetes algunas sugerencias por el editor.

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