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9780262013680

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With a cunning and critical intelligence, Michael Asher probes the visible and conceptual components of exhibition spaces not only to reveal the underlying social relations within art institutions, but also, as Kirsi Peltomaki so convincingly demonstrates, to facilitate an array of affective experiences that lead to personal and institutional changes. Peltomaki's book is balanced, insightful, and intelligent, and it should place Asher at the center of debates about strategies and directions of modern and contemporary art. --Alexander Alberro, author of Conceptual Art and the Politics of Publicity

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Kirsi Peltomäki is Associate Professor of Art History at Oregon State University.

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