Sites of Performance: Of Time and Memory

Author:   Clark Lunberry
Publisher:   Anthem Press
ISBN:  

9781783082872


Pages:   206
Publication Date:   01 October 2014
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Sites of Performance: Of Time and Memory


Overview

A primary focus of 'Sites of Performance: Of Time and Memory' is the impact of time and memory as they intersect and constitute the varied spaces of theatre. These spaces include more traditional sites of theatre, such as those involving stages and curtains, actors and audiences, as well as those other theatres or spaces of performance that range from performance and installation art, to the performance of a string quartet, and from the writing of performance, to the performance of writing.

Full Product Details

Author:   Clark Lunberry
Publisher:   Anthem Press
Imprint:   Anthem Press
Dimensions:   Width: 15.30cm , Height: 2.60cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9781783082872


ISBN 10:   1783082879
Pages:   206
Publication Date:   01 October 2014
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"Preface; 1. A Body Bending: Removing the Boots of Beckett and Proust; 2. (""Silence""): Scripting Absence; 3. Blood on the Wall: The True Tragic Pleasure of ""Medea""; 4. Coriolanus in the Marketplace 5. Antonin Artaud's Unending Death Rattle; 6. Writing upon Theaters of Tragic Thought; 7. Figures of Speech: Ann Hamilton's Installations of Absence; 8. Illuminated Theater: The Stages of James Turrell; 9. Suspicious Silence: Walking Out on John Cage; 10. In Living Memory: Morton Feldman's Departing Landscapes; Postscript: Seeing In Plain Sight - Installations in Flight; Bibliography; Index"

Reviews

In Lunberry's deft and limpid impressions on the limits of theater, we find a theory of theoria and its double-the fraught aughts and variously perfumed invisibles, the unseen of seeing across the uncoded edges of the stage. This is where the mirror leaves off and thought begins. Or the unthinkable. Lunberry is a lyricist of the core of what makes being seen the necessary but traumatic proposition of theater, and perhaps of being itself. -Joe Milutis, University of Washington Bothell, author of Failure, A Writer's Life


In Lunberry's deft and limpid impressions on the limits of theater, we find a theory of theoria and its double-the fraught aughts and variously perfumed invisibles, the unseen of seeing across the uncoded edges of the stage. This is where the mirror leaves off and thought begins. Or the unthinkable. Lunberry is a lyricist of the core of what makes being seen the necessary but traumatic proposition of theater, and perhaps of being itself. -Joe Milutis, University of Washington Bothell, author of Failure, A Writer's Life Sites of Performance offers an original approach by foregrounding Lunberry's personal (and subjective) experience as a spectator. [...] By interrogating his own processes of perception and self-reflection Lunberry creates a complex reading of the relationship between spectatorship and mortality, illuminating our tenuous relationship to time.' - Meghan O'Hara, University of Western Ontario


Author Information

Clark Lunberry is an Associate Professor in the English Department at the University of North Florida.

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