Sinophone-Anglophone Cultural Duet

Author:   Sheng-mei Ma
Publisher:   Springer International Publishing AG
Edition:   1st ed. 2017
ISBN:  

9783319580326


Pages:   240
Publication Date:   07 August 2017
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Sinophone-Anglophone Cultural Duet


Overview

This book examines the paradox of China and the United States’ literary and visual relationships, morphing between a happy duet and a contentious duel in fiction, film, poetry, comics, and opera from both sides of the Pacific. In the 21st century where tension between the two superpowers escalates, a gaping lacuna lies in the cultural sphere of Sino-Anglo comparative cultures. By focusing on a “Sinophone-Anglophone” relationship rather than a “China-US” one, Sheng-mei Ma eschews realpolitik, focusing on the two languages and the cross-cultural spheres where, contrary to Kipling’s twain, East and West forever meet, like a repetition compulsion bordering on neurosis over the self and its cultural other. Indeed, the coupling of the two—duet-cum-duel—is so predictable that each seems attracted to and repulsed by its dark half, semblable, (in)compatible for their shared larger-than-life-ness.

Full Product Details

Author:   Sheng-mei Ma
Publisher:   Springer International Publishing AG
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2017
Weight:   4.401kg
ISBN:  

9783319580326


ISBN 10:   3319580329
Pages:   240
Publication Date:   07 August 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Author Information

Sheng-mei Ma is Professor of English at Michigan State University, USA, specializing in Asian Diaspora and East-West comparative studies. His books in English include: The Last Isle (2015); Alienglish (2014); Asian Diaspora and East-West Modernity (2012); Diaspora Literature and Visual Culture (2011); East-West Montage (2007); The Deathly Embrace (2000); and Immigrant Subjectivities in Asian American and Asian Diaspora Literatures (1998).

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