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OverviewFull Product DetailsAuthor: Ben Macpherson (Reader in Vocal Theatres, Faculty of Creative and Cultural Industries, Reader in Vocal Theatres, Faculty of Creative and Cultural Industries, University of Portsmouth)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 15.60cm , Height: 23.50cm , Length: 2.00cm Weight: 0.507kg ISBN: 9780197557631ISBN 10: 0197557635 Pages: 288 Publication Date: 18 January 2025 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: To order Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsAcknowledgements List of Figures Author's Note Introduction: Songs for new worlds Part 1: Cultural Contexts Chapter 1: Reaffirmation and rupture-Why this is not opera Chapter 2: Decadent appropriation-The process and politics of singing musical theatre Part 2: Critical Approaches Chapter 3: Two voiceworlds, three choralities-Locating the voice Chapter 4: Intermediate vocalities-Between speech and song Chapter 5: Rediscovering nostalgia-Whose voice is it, anyway? Conclusion: Keep singing, Orpheus Bibliography IndexReviewsAuthor InformationBen Macpherson is Reader in Vocal Theatres at the University of Portsmouth, UK. Joining Portsmouth in 2013, he led the undergraduate musical theatre programme until 2023. Prior to working at Portsmouth, he taught at various other institutions in the UK. He is founding co-editor of Journal of Interdisciplinary Voice Studies, an editorial board member of the Studies in Musical Theatre Journal, and has published and presented widely on topics relating to voice studies, musical theatre, and the musical on record - a subject on which he has led several grant-funded projects. He holds a PhD from the University of Winchester, UK. Tab Content 6Author Website:Countries AvailableAll regions |
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