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OverviewFull Product DetailsAuthor: David King Dunaway (Professor of English, Professor of English, University of New Mexico, Los Ranchos, NM, US) , Molly Beer (freelance writer, freelance writer, University of New Mexico, Albuquerque, NM, US)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 15.50cm , Height: 2.00cm , Length: 23.40cm Weight: 0.386kg ISBN: 9780199896561ISBN 10: 0199896569 Pages: 272 Publication Date: 26 January 2012 Audience: General/trade , College/higher education , General , Further / Higher Education Format: Paperback Publisher's Status: Active Availability: Awaiting stock ![]() The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you. Table of ContentsReviews<br> The authors have spent quite a bit of time addressing the critical, interesting, and important question: 'What is folk music?' Defining folk music is not only difficult and complex, it's slipperier than a greased eel! Through the use of extensive quotes and interviews Beer and Dunaway revisit the folk revival head-on, causing me to rethink the role individuals as diverse as Tristam Coffin, Pete Seeger, Mississippi John Hurt played during this important period in American music history. --Kip Lornell, The George Washington University, author of The NPR Curious Listener's Guide to AmericanFolk Music, Introducing American Folk Music, and The Life and Legend of Leadbelly (with Charles K. Wolfe) <br><p><br> Dunaway and Beer's Singing Out is a marvelous stew of original quotations mixed with the editors' astute discussions of the historical contexts. Drawing upon a broad array of musicians, academics, collectors, and writers, they have covered the twentieth century into the twenty-first, with some focus on the importance of protest/political songs. This is now the starting place for any understanding of the role of folk music in American society, and should spawn future studies, particularly dealing with the post-1970s period. --Ronald D. Cohen, author of Rainbow Quest: The Folk MusicRevival and American Society, 1940-1970<br><p><br> This intriguing history of American folk music in the 20th century by its performers and participants will appeal to academics, folk music aficionados, and musicians. --Library Journal<p><br> [A] marvelous resource for anyone interested in American folk music. --Booklist<br><p><br> Fascinating. --Albuquerque Journal<p><br> An important and excellent new book...Uncover[s] the true life of folk music in North America as it progressed through the world-altering twentieth century. --The Journal of Music <br><p><br> All fans and scholars of folk music and American History will value this study. Highly recommended. --Choice<p><br> I'ved <br> The authors have spent quite a bit of time addressing the critical, interesting, and important question: 'What is folk music?' Defining folk music is not only difficult and complex, it's slipperier than a greased eel! Through the use of extensive quotes and interviews Beer and Dunaway revisit the folk revival head-on, causing me to rethink the role individuals as diverse as Tristam Coffin, Pete Seeger, Mississippi John Hurt played during this important period in American music history. --Kip Lornell, The George Washington University, author of The NPR Curious Listener's Guide to AmericanFolk Music, Introducing American Folk Music, and The Life and Legend of Leadbelly (with Charles K. Wolfe) <br><p><br> Dunaway and Beer's Singing Out is a marvelous stew of original quotations mixed with the editors' astute discussions of the historical contexts. Drawing upon a broad array of musicians, academics, collectors, and writers, they have covered the twentieth century into the twenty-first, with some focus on the importance of protest/political songs. This is now the starting place for any understanding of the role of folk music in American society, and should spawn future studies, particularly dealing with the post-1970s period. --Ronald D. Cohen, author of Rainbow Quest: The Folk MusicRevival and American Society, 1940-1970<br><p><br> This intriguing history of American folk music in the 20th century by its performers and participants will appeal to academics, folk music aficionados, and musicians. --Library Journal<p><br> [A] marvelous resource for anyone interested in American folk music. --Booklist<br><p><br> Fascinating. --Albuquerque Journal<p><br> An important and excellent new book...Uncover[s] the true life of folk music in North America as it progressed through the world-altering twentieth century. --The Journal of Music <br><p><br> All fans and scholars of folk music and American History will value this study. Highly recommended. --Choice<p><br> I'vep <br> The authors have spent quite a bit of time addressing the critical, interesting, and important question: 'What is folk music?' Defining folk music is not only difficult and complex, it's slipperier than a greased eel! Through the use of extensive quotes and interviews Beer and Dunaway revisit the folk revival head-on, causing me to rethink the role individuals as diverse as Tristam Coffin, Pete Seeger, Mississippi John Hurt played during this important period in American music history. --Kip Lornell, The George Washington University, author of The NPR Curious Listener's Guide to AmericanFolk Music, Introducing American Folk Music, and The Life and Legend of Leadbelly (with Charles K. Wolfe) <br><p><br> Dunaway and Beer's Singing Out is a marvelous stew of original quotations mixed with the editors' astute discussions of the historical contexts. Drawing upon a broad array of musicians, academics, collectors, and writers, they have covered the twentieth century into the twenty-firs Author InformationDavid King Dunaway is the author and editor of eight volumes of history including How Can I Keep From Singing: The Ballad of Pete Seeger, The Pete Seeger Discography, and Oral History: An Interdisciplinary Anthology. His numerous honors include the 2010 Stetson Kennedy Vox Populi award from the Oral History Association. He serves as professor of English at the University of New Mexico and distinguished professor of broadcasting at San Francisco State University. Molly Beer is the author of numerous essays and articles on culture and culture clash. She has taught writing at the University of New Mexico and at Colgate University as an Olive B. O'Connor creative writing fellow. Tab Content 6Author Website:Countries AvailableAll regions |