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OverviewFull Product DetailsAuthor: Gregory Barz , Nightline Jim WootenPublisher: Taylor & Francis Ltd Imprint: Routledge Edition: New edition Dimensions: Width: 15.20cm , Height: 1.60cm , Length: 22.90cm Weight: 0.510kg ISBN: 9780415972901ISBN 10: 0415972906 Pages: 276 Publication Date: 30 November 2005 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsForeword by Jim Wooten, Acknowledgments, Acronyms Used in the Text, Recorded Selections on the Compact Disc, List of Figures, Orthography, Prelude: “Those Who Do Not Listen to Our Songs and Change Their Behavior Will Land in Problems”, Introduction: “Music Is Taken as a Medicine”: Singing for Life in a Time of AIDS, Chapter 1: HIV/AIDS, Jackfruit, and Banana Weevils: Music and Medical Interventions in Uganda, Interlude 1: Florence Kumunhyu’s Testimony, Chapter 2: “What You Sing Nourishes Your Body Like Food”, Interlude 2: “Our Problems Are Bigger than AIDS”: A Conversation with Dr. Alex Muganzi Muganga, Chapter 3: “No One Will Listen to Us Unless We Bring Our Drums!”: AIDS and Women’s Music Performance in Uganda, Interlude 3: “Stick to One Person”: Nawaikoke Village Women’s Ensemble, Chapter 4: “Today We Have Naming of Parts”: Languaging AIDS Through Music, Interlude 4: Excerpts from an Interview with the Bukato Youth Fellowship, Chapter 5: “Singing in a Language AIDS Can Hear”: Music, AIDS, and Religion, Interlude 5: Conversation with Faustus Baziri, Chapter 6: Re-Memorying Memory: HIV/AIDS and the Performance of Cultural Memory, Interlude 6: TASO Drama Group Testimonies, Conclusion: “Getting the Message Across Without Music Is Sometimes Shaky”, Afterword, Appendix, Notes, Works Cited, IndexReviews'...he investigates how song texts refer to HIV/AIDS, and how women suffering from HIV/AIDS have become empowered through their music, dance and drama presentations...an excellent book that should be read by medical professionals, social workers and musicologists.' Lois Ann Anderson, University of Wisconsin-Madison Author InformationGregory Barz is Assistant Professor of ethnomusicology and anthropology at Vanderbilt University. He lives in Nashville, TN. Tab Content 6Author Website:Countries AvailableAll regions |