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OverviewIn this book, Brenda M. King challenges the notion that Britain always exploited its empire. Creativity, innovation and entrepreneurship were all part of the Anglo-Indian silk trade and were nurtured in the era of empire through mutually beneficial collaboration. The trade operated within and without the empire, according to its own dictates and prospered in the face of increasing competition from China and Japan. King presents a new picture of the trade, where the strong links between Indian designs, the English silk industry and prominent members of the English the arts and crafts movement led to the production of beautiful and luxurious textiles.Lavishly illustrated, this book will be of interest to those interested in the relationship between the British Empire and the Indian subcontinent, as well as by historians of textiles and fashion. -- . Full Product DetailsAuthor: Brenda King , Andrew Thompson , John MacKenzie , Rebecca MortimerPublisher: Manchester University Press Imprint: Manchester University Press Dimensions: Width: 15.60cm , Height: 1.50cm , Length: 23.40cm Weight: 0.431kg ISBN: 9780719067013ISBN 10: 0719067014 Pages: 224 Publication Date: 09 December 2008 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsSilk and Empire contains information of central importance to a fuller understanding of a diverse range of topics, from Arts and Crafts movement generally and William Morris in particular, to the creation and impact of the Great and International Exhibitions from 1851 onwards, as well as the origins and functions of significant collections of Indian skills now held in the UK. All with an interest in these topics - and in the history of British textile consumption, design and education - will want to read this book. --Mary Schoeser, Crafts Silk and Empire contains information of central importance to a fuller understanding of a diverse range of topics, from Arts and Crafts movement generally and William Morris in particular, to the creation and impact of the Great and International Exhibitions from 1851 onwards, as well as the origins and functions of significant collections of Indian skills now held in the UK. All with an interest in these topics - and in the history of British textile consumption, design and education - will want to read this book. --Mary Schoeser, Crafts Author InformationBrenda M. King is Lecturer in Design History and Museum and Heritage Studies, an Independent Researcher and an exhibition Curator Tab Content 6Author Website:Countries AvailableAll regions |