Silence in Middle Eastern and Western Thought: The Radical Unspoken

Author:   Jason Mohaghegh (New Jersey City University, USA.)
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138948457


Pages:   230
Publication Date:   14 August 2015
Format:   Paperback
Availability:   In Print   Availability explained
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Silence in Middle Eastern and Western Thought: The Radical Unspoken


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Author:   Jason Mohaghegh (New Jersey City University, USA.)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.60cm , Height: 1.30cm , Length: 23.40cm
Weight:   0.340kg
ISBN:  

9781138948457


ISBN 10:   1138948454
Pages:   230
Publication Date:   14 August 2015
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Part 1: Silence and the Outside 1. The Poetics of the Unspoken: Disaster, Exhaustion, and the Outside of Language (West) 2. Eternity’s Wager: The Wanderer, the Insurrectionary, and the Counter-Historical Moment (East) Part 2: Silence and the Dream 3. Scathing Imaginaries: Abandonment, Forgetting, and the Night-Dream (West) 4. The Aesthetics of the Unreal: Agitation, Sabotage, and the Fragment (East) Part 3: Silence and the Body 5. Disciplined and Innocent Bodies: Power, Masking, and the Visionary (West) 6. The Captive and the Exile: Vulnerability, Sensation, and Desire (East) Part 4: Silence and Experience 7. The Excessive and the Formless: Delirious Writing (West) 8. Paradox, Ecstasy, and the Catastrophic Mind: Apocalyptic Writing (East)

Reviews

'Displaying an enviable intimacy with French thought on the one hand (Deleuze, Foucault, Blanchot) and twentieth-century Iranian poetics on the other, the author manages to do something quite extraordinary: from a non-Western perspective, he radically calls into question the time and place of the 'postmodern'. If ever there is a book to make names of modern Persian literature such as Akhavan, Nima, Shamlu and Hedayat as familiar as Bataille and Guattari, it will be this one.' Ian Almond, Georgia State University, USA 'To call this work a tour de force is accurate but also unfaithful to the very tone and flesh of Mohaghegh's arguments, which resist facile syntheses and idle submission to the idol of difference. He instead begins and remains with silence and productively dwells in its Continental and Middle-Eastern trenches...Rebuking univocity, each silence defies a border. Committed with these thinkers to resisting the bordered self and imperial lines of demarcation, through a careful, learned, and unique reading of these texts, Mohaghegh assembles a paradoxical poetic unison not across borders but to cross out the very notion of borders.' Farhang Erfani, American University, USA


'Displaying an enviable intimacy with French thought on the one hand (Deleuze, Foucault, Blanchot) and twentieth-century Iranian poetics on the other, the author manages to do something quite extraordinary: from a non-Western perspective, he radically calls into question the time and place of the 'postmodern'. If ever there is a book to make names of modern Persian literature such as Akhavan, Nima, Shamlu and Hedayat as familiar as Bataille and Guattari, it will be this one.' Ian Almond, Georgia State University, USA 'To call this work a tour de force is accurate but also unfaithful to the very tone and flesh of Mohaghegh's arguments, which resist facile syntheses and idle submission to the idol of difference. He instead begins and remains with silence and productively dwells in its Continental and Middle-Eastern trenches...Rebuking univocity, each silence defies a border. Committed with these thinkers to resisting the bordered self and imperial lines of demarcation, through a careful, learned, and unique reading of these texts, Mohaghegh assembles a paradoxical poetic unison not across borders but to cross out the very notion of borders.' Farhang Erfani, American University, USA


'Displaying an enviable intimacy with French thought on the one hand (Deleuze, Foucault, Blanchot) and twentieth-century Iranian poetics on the other, the author manages to do something quite extraordinary: from a non-Western perspective, he radically calls into question the time and place of the 'postmodern'. If ever there is a book to make names of modern Persian literature such as Akhavan, Nima, Shamlu and Hedayat as familiar as Bataille and Guattari, it will be this one.' Ian Almond, Georgia State University, USA 'To call this work a tour de force is accurate but also unfaithful to the very tone and flesh of Mohaghegh's arguments, which resist facile syntheses and idle submission to the idol of difference. He instead begins and remains with silence and productively dwells in its Continental and Middle-Eastern trenches...Rebuking univocity, each silence defies a border. Committed with these thinkers to resisting the bordered self and imperial lines of demarcation, through a careful, learned, and unique reading of these texts, Mohaghegh assembles a paradoxical poetic unison not across borders but to cross out the very notion of borders.' Farhang Erfani, American University, USA


Author Information

Jason Bahbak Mohaghegh is Assistant Professor of Comparative Literature at Babson College, USA. He is the author of The Chaotic Imagination: New literature and Philosophy of the Middle East (2010) and Inflictions: The Writing of Violence in the Middle East (2012).

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