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OverviewMozart's Magic Flute, a rich but problematic work, is complicated by discontinuities of plot, tone, and theme that disturb its surface appearance as a serene synthesis of Enlightenment ideals. This study, an essay in a dramaturgical opera criticism, explores how this eccentric masterpiece, haunted by the decline of the progressive reforms of Joseph II, uses the images of the marginalized popular theater of suburban Vienna to express a fundamental anxiety of its time (and, by inheritance, ours): the clash of a pre-capitalist, pre-industrial social morality with a modern ethic of rationalized self-interest. This anxiety divides The Magic Flute, the Viennese social imagination, and the entire Mozart opera canon between the fascination of the newly emergent self and a compensatory desire for an idealized, spontaneous, but almost unrepresentable social order. Full Product DetailsAuthor: Michael EvendenPublisher: Peter Lang Publishing Inc Imprint: Peter Lang Publishing Inc Volume: 2 Weight: 0.530kg ISBN: 9780820419503ISBN 10: 0820419508 Pages: 288 Publication Date: 01 April 1999 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsBrilliant...a distinguished book on Mozart's masterpiece, 'The Magic Flute...'.This book will become required reading in every course on opera history, and should also be part of the reading for every Mozart course, as well as courses on the literary background to the eighteenth century. (George J. Buelow, Indiana University) Its depth of scholarship, historical illumination, and critical insight make it a distinct contribution to resources in the field. (Stanley Kauffmann, City University of New York) Author InformationThe Author: Michael Evenden is Associate Professor and Chair of Theater Studies at Emory University, and resident dramaturg of Theater Emory, the university's resident professional theater. He has taught in opera programs at the Yale School of Music and Brigham Young University, and in theater programs at Cornell University and elsewhere; professional theater collaborations have involved him with the Yale Repertory Theater, the Alliance Theater in Atlanta, and the Seattle Repertory. He holds a D.F.A. in Dramaturgy and Dramatic Criticism from the Yale School of Drama. Tab Content 6Author Website:Countries AvailableAll regions |