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Until now, classical music listeners have not had an adequate context in which to place Sibelius's well-known and much-performed works. With Sibelius, Glenda Goss treats us to a panoramic view of the relevant Finnish background. This is idiosyncratic music from an idiosyncratic place, and Goss provides a generous overview of both. Unabashedly interpretive, this is a comprehensive and compelling look at a major composer and the culture he both influenced and drew upon. Essential reading for all Sibelians. - James Hepokoski, Yale University

"""Until now, classical music listeners have not had an adequate context in which to place Sibelius's well-known and much-performed works. With Sibelius, Glenda Goss treats us to a panoramic view of the relevant Finnish background. This is idiosyncratic music from an idiosyncratic place, and Goss provides a generous overview of both. Unabashedly interpretive, this is a comprehensive and compelling look at a major composer and the culture he both influenced and drew upon. Essential reading for all Sibelians."" - James Hepokoski, Yale University"""

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Glenda Dawn Goss is the former editor-in-chief of the Jean Sibelius Critical Edition and teaches at the Sibelius Academy in Helsinki.

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