Shyam Benegal’s India: Alternative Images

Author:   Vivek Sachdeva (Guru Gobind Singh Indraprastha University, New Delhi, India)
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367784270


Pages:   186
Publication Date:   31 March 2021
Format:   Paperback
Availability:   In Print   Availability explained
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Shyam Benegal’s India: Alternative Images


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Author:   Vivek Sachdeva (Guru Gobind Singh Indraprastha University, New Delhi, India)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge India
Weight:   0.453kg
ISBN:  

9780367784270


ISBN 10:   0367784270
Pages:   186
Publication Date:   31 March 2021
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgements. Introduction 1. Assertion to Empowerment: Narratives of Social Change 2. Women and the Nation 3. Political Commentaries through Adaptations 4. Adapting History 5. Contestations with Indian Modernity 6. Changing Moffusil spaces and New (Middle) Cinema. Bibliography. Filmography. Index.

Reviews

'Vivek Sachdeva, in this comprehensive study, maps the narrative of Benegal's cinema on to the shifting narrative of the nation, as he traces its engagement with issues of tradition and modernity and history and its adaptation, among others. Theoretically rich, engaging with questions of cinema aesthetics, as also raising political questions, this work will be relished by academics and cinema lovers alike.' —Simi Malhotra, Director, Centre for North East Studies and Policy Research & Professor, Department of English Jamia Millia Islamia, New Delhi. 'Vivek Sachdeva, in this comprehensive study, maps the narrative of Benegal's cinema on to the shifting narrative of the nation, as he traces its engagement with issues of tradition and modernity and history and its adaptation, among others. Theoretically rich, engaging with questions of cinema aesthetics, as also raising political questions, this work will be relished by academics and cinema lovers alike.' —Simi Malhotra, Director, Centre for North East Studies and Policy Research & Professor, Department of English Jamia Millia Islamia, New Delhi


'Vivek Sachdeva, in this comprehensive study, maps the narrative of Benegal's cinema on to the shifting narrative of the nation, as he traces its engagement with issues of tradition and modernity and history and its adaptation, among others. Theoretically rich, engaging with questions of cinema aesthetics, as also raising political questions, this work will be relished by academics and cinema lovers alike.' --Simi Malhotra, Director, Centre for North East Studies and Policy Research & Professor, Department of English Jamia Millia Islamia, New Delhi


'Vivek Sachdeva, in this comprehensive study, maps the narrative of Benegal's cinema on to the shifting narrative of the nation, as he traces its engagement with issues of tradition and modernity and history and its adaptation, among others. Theoretically rich, engaging with questions of cinema aesthetics, as also raising political questions, this work will be relished by academics and cinema lovers alike.' -Simi Malhotra, Director, Centre for North East Studies and Policy Research & Professor, Department of English Jamia Millia Islamia, New Delhi. 'Vivek Sachdeva, in this comprehensive study, maps the narrative of Benegal's cinema on to the shifting narrative of the nation, as he traces its engagement with issues of tradition and modernity and history and its adaptation, among others. Theoretically rich, engaging with questions of cinema aesthetics, as also raising political questions, this work will be relished by academics and cinema lovers alike.' -Simi Malhotra, Director, Centre for North East Studies and Policy Research & Professor, Department of English Jamia Millia Islamia, New Delhi


Author Information

Vivek Sachdeva is a professor at the University School of Humanities and Social Sciences, Guru Gobind Singh Indraprastha University, New Delhi, India. As well as being a translator, he is the author of Fiction to Film: Ruth Prawer Jhabvala’s The Householder and Heat and Dust; he also co-edited Identities in South Asia: Conflicts and Assertions.

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