Shoot Like Wes: A Practical Guide to Creating Your Own Wes Anderson Photography

Author:   Adam Woodward ,  Liz Seabrook
Publisher:   Quarto Publishing PLC
ISBN:  

9780711296800


Pages:   160
Publication Date:   05 June 2025
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Shoot Like Wes: A Practical Guide to Creating Your Own Wes Anderson Photography


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Full Product Details

Author:   Adam Woodward ,  Liz Seabrook
Publisher:   Quarto Publishing PLC
Imprint:   White Lion Publishing
Weight:   0.750kg
ISBN:  

9780711296800


ISBN 10:   0711296804
Pages:   160
Publication Date:   05 June 2025
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction + Things to Consider Before You Begin Chapter 1. Bottle Rocket (1996): How to use natural light Chapter 2. Rushmore (1998): How to use colour Chapter 3. The Royal Tenenbaums (2001): How to use God’s-eye view Chapter 4. The Life Aquatic with Steve Zissou (2004): How to use a wide-angle Chapter 5. The Darjeeling Limited (2007): How to shoot group portraits Chapter 6. Fantastic Mr. Fox (2009): How to use a low-angle Chapter 7. Moonrise Kingdom (2012): How to shoot close-ups Chapter 8. The Grand Budapest Hotel (2014): How to create symmetry Chapter 9. Isle of Dogs (2018): How to use first-person POV Chapter 10. The French Dispatch (2021): How to use props Chapter 11. Asteroid City (2023): How to shoot buildings

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Author Information

Adam Woodward is Editor-at-Large at Little White Lies magazine, the leading independent voice in film. Liz Seabrook is a portrait and lifestyle photographer who works around the world. Part photographer, part storyteller, the warmth of her pictures asks the viewer to sit down and join in the conversation with whoever sits opposite her lens. She works across editorial and advertising for a range of clients including The Guardian, Marie Curie and Conde Nast Traveller.   

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