She-Wolf: A Cultural History of Female Werewolves

Author:   Hannah Priest
Publisher:   Manchester University Press
ISBN:  

9781526116895


Pages:   240
Publication Date:   02 June 2017
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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She-Wolf: A Cultural History of Female Werewolves


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Overview

She-wolf explores the cultural history of the female werewolf, from her first appearance in medieval literature to recent incarnations in film, television and popular literature. The book includes contributors from various disciplines, and offers a cross-period, interdisciplinary exploration of a perennially popular cultural production. The book covers material from the Middle Ages to the present day with chapters on folklore, history, witch trials, Victorian literature, young adult literature, film and gaming. Considering issues such as religious and social contexts, colonialism, constructions of racial and gendered identities, corporeality and subjectivity - as well as female body hair, sexuality and violence - She-wolf reveals the varied ways in which the female werewolf is a manifestation of complex cultural anxieties, as well as a site of continued fascination. -- .

Full Product Details

Author:   Hannah Priest
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 15.60cm , Height: 1.40cm , Length: 23.40cm
Weight:   0.376kg
ISBN:  

9781526116895


ISBN 10:   1526116898
Pages:   240
Publication Date:   02 June 2017
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

'The chapters address many of the standards in werewolf literature but, ultimately, they strive to challenge this canon, arguing both that werewolf literature is not restrictively a masculine archetype and that feminist studies of the wild woman should not simply sweep she-werewolves under the monstrous feminine rug. But by the end even with these complications - and contradictions - they merge at last, readers will find, into a multifaceted beast who stares readers in the eye and grins wickedly, hungrily. For, after all, like the adolescent protagonist giggling in the burly wolf's arms in Angela Carter's The Company of Wolves , [we are] nobody's meat .' Jonathan W. Thurston, Michigan State University, Nordic Journal of Science Fiction and Fantasy Research -- .


Author Information

Hannah Priest is an Honorary Research Fellow at Swansea University

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