She is Cuba: A Genealogy of the Mulata Body

Author:   Melissa Blanco Borelli (Lecturer in Dance Studies, Lecturer in Dance Studies, University of Surrey)
Publisher:   Oxford University Press Inc
ISBN:  

9780199968169


Pages:   240
Publication Date:   07 January 2016
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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She is Cuba: A Genealogy of the Mulata Body


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Full Product Details

Author:   Melissa Blanco Borelli (Lecturer in Dance Studies, Lecturer in Dance Studies, University of Surrey)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.60cm , Height: 2.30cm , Length: 15.70cm
Weight:   0.590kg
ISBN:  

9780199968169


ISBN 10:   0199968160
Pages:   240
Publication Date:   07 January 2016
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Prologue, Entre Familia/Between Family Introduction Chapter 1: Historicizing Hip(g)nosis Interlude 1: Echando Cuentos/Telling Stories Chapter 2: Hip(g)nosis at Work: Rumors, Social Dance and Cuba's Academias de Baile Interlude 2: A Marriage Proposal Chapter 3: Hip(g)nosis as Pleasure: The Mulata in Film Interlude 3: Lost Baggage Chapter 4: Hip(g)nosis as Brand: Despelote, Tourism and Mulata Citizenship Conclusion or Rear Endings Index

Reviews

This triumphant offering invigorates dance scholarship with an outstanding coordination of historical method, performative writing, and coherent, compelling analysis of dance practice in Cuba. Written with authority, literary drive, and compassion, She Is Cuba answers a call for carefully considered research to explore the racialized feminine, the powers of the State, and to demonstrate the centrality of the living body in the construction of social identity. --Thomas F. DeFrantz, Duke University The mulata body dances off the page. Blanco Borelli writes her way through the Cuban siren-call of the hips. Her bi-lingual and seductive language privileges rumor and corporeality while engaging with rich histories sprung from archival research. --Anita Gonzalez, Professor of Theatre and Drama, University of Michigan


""This triumphant offering invigorates dance scholarship with an outstanding coordination of historical method, performative writing, and coherent, compelling analysis of dance practice in Cuba. Written with authority, literary drive, and compassion, She Is Cuba answers a call for carefully considered research to explore the racialized feminine, the powers of the State, and to demonstrate the centrality of the living body in the construction of social identity."" --Thomas F. DeFrantz, Duke University, Professor of African & African American Studies and Dance, Duke University ""The mulata body dances off the page. Blanco Borelli writes her way through the Cuban siren-call of the hips. Her bi-lingual and seductive language privileges rumor and corporeality while engaging with rich histories sprung from archival research.""--Anita Gonzalez, Professor of Theatre and Drama, University of Michigan


This triumphant offering invigorates dance scholarship with an outstanding coordination of historical method, performative writing, and coherent, compelling analysis of dance practice in Cuba. Written with authority, literary drive, and compassion, She Is Cuba answers a call for carefully considered research to explore the racialized feminine, the powers of the State, and to demonstrate the centrality of the living body in the construction of social identity. --Thomas F. DeFrantz, Duke University, Professor of African & African American Studies and Dance, Duke University The mulata body dances off the page. Blanco Borelli writes her way through the Cuban siren-call of the hips. Her bi-lingual and seductive language privileges rumor and corporeality while engaging with rich histories sprung from archival research. --Anita Gonzalez, Professor of Theatre and Drama, University of Michigan


Author Information

Melissa Blanco Borelli is a Senior Lecturer in Dance in the Drama and Theatre Department at Royal Holloway, University of London. She established the first joint honours programme in Drama and Dance at Royal Holloway. She is the editor of The Oxford Handbook of Dance and the Popular Screen (OUP, 2014). She has published in Women and Performance, The International Journal of Screendance, and the International Journal of Performing Arts and Digital Media.

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