Overview

In Shakespeare's Tragic Art, Rhodri Lewis offers a powerfully original reassessment of tragedy as Shakespeare wrote it of what drew him toward tragic drama, what makes his tragedies distinctive, and why they matter. After reconstructing tragic theory and practice as Shakespeare and his contemporaries knew them, Lewis considers in detail each of Shakespeare's tragedies from Titus Andronicus to Coriolanus. He argues that these plays are a series of experiments whose greatness lies in their author's nerve-straining determination to represent the experience of living in a world that eludes rational analysis. They explore not just our inability to know ourselves as we would like to, but the compensatory and generally unacknowledged fictions to which we bind ourselves in our hunger for meaning from the political, philosophical, social, and religious to the racial, sexual, personal, and familial. Lewis's Shakespeare not only creates tragedies that exceed those written before them. Through his art, he also affirms and invigorates the kinds of knowing that are available to intelligent animals like us. A major reevaluation of Shakespeare's tragedies, Shakespeare's Tragic Art is essential reading for anyone interested in Shakespeare, tragedy, or the capacity of literature to help us navigate the perplexities of the human condition. 'Lewis's unflinching, learned twenty-first-century account of Shakespearean tragedy has a clear eye for the plays' comfortlessness even as his analyses make them sing. Move aside, A. C. Bradley.' Emma Smith, Hertford College, University of Oxford 'Rhodri Lewis's Shakespeare's Tragic Art is the best book on the tragedies since A. C. Bradley's Shakespearean Tragedy. Arguably it is better, and certainly more accessible and urgent. Sensible and sensitive, learned and almost compulsively readable, it shows us precisely why and how Shakespeare matters.' David Scott Kastan, Yale University

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Reviews

""A New Yorker Best Book We've Read This Year"" ""This engaging study . . . finds common threads in the plays’ inner workings, most notably a delicate, calculated interplay between plot and personality."" * New Yorker * ""Ambitious and intriguing. . . . An erudite and scholarly exploration of the Bard’s work."" * Kirkus Reviews * ""Lewis makes a powerful case for Shakespeare’s unique, many-faceted tragic worldview, and his book is a compelling piece of literary criticism. What’s more, it sent me rushing straight back to my Complete Shakespeare, with a burning desire to enter its glittering, vast worlds anew""---Philip Womack, The Spectator World ""Taking on an analysis of what Shakespeare was attempting to achieve with his run of 10 tragedies requires not just a knowledge of the plays and the theories and speculations of all those critics and commentators who went before but also a robust hypothesis that brings something new to the table. Rhodri Lewis. . .manages to pull off this herculean task with some aplomb. . . . This book is a must for anyone interested in studying Shakespeare in any depth.""---Terry Potter,, The Letterpress Project ""Shakespeare’s Tragic Art is an important addition to the literature about Shakespearean tragedy and essential reading for those interested in the subject. It is more than that, however – it offers an insight into a way of understanding those mysteries of human existence that Shakespeare had some understanding of and passed on to us through his tragic dramas.""---Ralph Goldswain, No Sweat Shakespeare ""The best volume on the Bard I have read since Emma Smith’s This Is Shakespeare. . . . A valuable critical work that sees the Bard as a 'temperamental skepticist' whose mission is more diagnostic than it is didactic: this Shakespeare is of particular use in our current addiction to the blind alleys of dogma.""---Bill Marx, Arts Fuse ""Provocative, stimulating . . . Lewis ends by commending the freedom of interpretation that Shakespeare allows us, a freedom that entails a willingness to be open to his disturbance of our unthinking complacency.""---Paul Dean, New Criterion ""While keeping one foot firmly in historicism, [Lewis] also connects the tragedies to the modern sensibility that understands the human individual as observer and observed, both subject and object of the constructions of art. . . . Heidegger’s Weltbild here rubs shoulders with the Renaissance’s heritage of verba (words) and res (things). The resulting analysis is sharp, engaging, and surprisingly readable."" * Choice Reviews * ""An impressive display of scholarship. . . .[Lewis’s] targets are the ideas to which these characters adhere and the delusion that they can be authors of their own destinies. In the confinement of his characters, we recognise our own confinement too.""---Adrian Poole, Literary Review

"""Ambitious and intriguing. . . . An erudite and scholarly exploration of the Bard’s work."" * Kirkus Reviews *"

Author Information

Rhodri Lewis teaches English at Princeton University. His previous books include Hamlet and the Vision of Darkness (Princeton) and Language, Mind, and Nature: Artificial Languages in England from Bacon to Locke.

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