|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Catherine A. HenzePublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.430kg ISBN: 9781472458322ISBN 10: 147245832 Pages: 216 Publication Date: 24 May 2017 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Contents List of Musical Examples Preface and Acknowledgments Introduction 1 Robert Armin: Apprentice, Extemporizing Comedian, Author, Singing Actor, and Possibly Shakespeare's Collaborator 2 Early Modern Music Contexts 3 Armin’s Singing Fools: Feste, Lear’s Fool, and Autolycus 4 Much Ado About Nothing and As You Like It: Armin's Beginning with Shakespeare's Company 5 Armin's Possible Apprentices: Ophelia and Desdemona 6 Robert Johnson's Songs in Cymbeline and The Tempest: Armin's Final Performances with the King's Men? Conclusion Appendix 1 ""Songs in the Plays"" Appendix 2 Alternate Settings for ""Hold Thy Peace"" and ""Willow, Willow"""ReviewsAuthor InformationCatherine A. Henze is a Professor Emerita of Humanistic Studies-English, and Women’s and Gender Studies at the University of Wisconsin-Green Bay, USA. Tab Content 6Author Website:Countries AvailableAll regions |